(Dés)abîme 1-03, 2022
Valérie de Berardinis  

Painting : acrylic · 92 x 60 x 2.5 cm 36.2 x 23.6 x 1 inch · Ready to hang

£1,768 1 768 £GB

One of the last works available by this artist

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Shipped from: France

Delivery to: United Kingdom , £ 105

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

92 x 60 x 2.5 cm 36.2 x 23.6 x 1 inch Height x Width x Depth

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Credentials

Vetted seller since 2017

Discount

This seller offers discount when you purchase multiple artworks.

Description

About the series "(Dis)abyss"

Transposition of the vibration of the body during a walk in the heart of the Amazon forest. I transpose onto the canvas the sensory imprint left on me by this forest. Between the ground and the sky, I am standing. Head up, I am dazzled and I am the fixed point, anchored in the ground. 

This work is part of a series consisting of 29 paintings.

Landscape

figurative

the Amazon 

Figuration

Landscape

colorful

Nature

Yellow

Dark blue

Valérie de Berardinis, (Dés)abîme 1-03
France  • 1972

Presentation

Painter living in Paris, I returned to painting in 2017 after forty years of silence. Very young, the loss of my father — a painter — made me grow up with a broken artistic transmission. Then a childhood between Italy and West Africa gave me a taste for otherness and shaped my sensitivity for transcultural inspirations. Studies in Applied Arts at the Estienne school in typographic creation made me discover the engagement of the body in the line through rhythm and breath. In 2004, I began practicing Japanese martial arts, with the intuition that the rigor of these disciplines and the study through the repetition of gesture would bring me a physical grounding in the act of painting. It became a subject of my painting twenty years later. Since 2019, my painting has been shown in individual and collective exhibitions and in 2026, the Artothèque de Paris 11e arr. acquired one of my paintings.


 

Entering painting is a commitment of the body, a shift towards an underlying truth where the gesture must precede the meaning. Painting is not just a technique, it is my medium — my language — my way of putting the fundamental at the center and entering into dialogue with my subjects, my inspirations, to move and open perception.

My recurring themes — wavering between the limits of the visible and the invisible — touch upon portraiture, self-portraiture, and also spaces or objects to consecrate, question, not to forget. 


 

The subject is centered, frontal, in dialogue, often vertical, composed of perceptible colored touches, to tell the story and bear witness to what has been. This ritualized and often serial process relies on quick-drying techniques and a vivid line — acrylic, inks, wax or dry pastels — unfolding on large and small formats, on canvas as well as paper.

The serial work stretches the time of experience, defines a space where each painting becomes the witness and guardian of the path traveled.

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