What Remains to Be Found, Circa 2026
Painting : acrylic, canvas, Pigments · 90 x 70 x 1 cm 35.4 x 27.6 x 0.4 inch
£1,325
1 325 £GB
One of the last works available by this artist
Shipping & delivery
Shipped from: Latvia
Delivery to: United Kingdom , £ 100
Estimated delivery: One to two weeks
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Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
90 x 70 x 1 cm 35.4 x 27.6 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
WHAT REMAINS TO BE FOUND — KEN ANDHISTI
A glimpse of gold within the roughness of becoming.
Created in 2026, What Remains to Be Found is a mixed-media painting by Indonesian artist Ken Andhisti. Paint, tissue and cotton form a layered surface that explores the relationship between lived experience, vulnerability and transformation.
Measuring 90 cm high × 70 cm wide, the work invites attention to the expressive qualities of its materials. Fragments, folds and irregular gestures create an organic field where dark and luminous passages intersect. Gold-toned traces emerge intermittently, becoming visible through the density of the surrounding layers.
THE JOURNEY WITHIN THE SURFACE
Tissue and cotton bring an element of fragility to the composition. Through the artist's process, they become part of a rough, substantial surface that retains evidence of its construction. These material tensions give physical form to the uncertainties and interruptions that shape a life.
The golden passages express meaning discovered through that experience. They suggest an insight, a connection or an unexpected source of hope encountered along the way.
Andhisti invites viewers to recognise their own fragments within the painting. Its open composition allows each encounter to unfold differently, guided by memory, attention and the details that draw the eye.
ABOUT KEN ANDHISTI
Ken Andhisti is an Indonesian visual artist and painter based in Tasikmalaya. Her abstract and experimental practice explores memory, materiality, gesture and the traces of lived experience.
She holds a Master of Fine Arts in Fine Art Creation, specialising in Painting, from Institut Seni Indonesia Yogyakarta, and a Bachelor of Fine Art Education from Universitas Negeri Surabaya. Her selected exhibition history includes Manifesto 7: Pandemi at the National Gallery of Indonesia and the International Triennale at Jogja Gallery.
ARTWORK DETAILS
Artist: Ken Andhisti
Title: What Remains to Be Found
Year: 2026
Medium: Mixed media on canvas
Materials: Paint, tissue and cotton
Dimensions: Height 90 cm × width 70 cm
Orientation: Vertical
Authenticity: Certificate of authenticity included
Presentation: Without an external frame
Gallery: Abstract Art Gallery, Riga, Latvia
PROTECTED DELIVERY
Professionally packed flat in reinforced XPS protection, with packaging adapted to safeguard the layered surface and edges. Insured during transit.
LIFETIME GALLERY GUARANTEE
The artwork benefits from Abstract Art Gallery's lifetime guarantee under normal display and care conditions.
Presentation
Ken Andhisti creates paintings in which memory takes material form. Based in Tasikmalaya, Indonesia, she works through abstraction and experimental processes to explore transformation, loss and human connection.
Layers, stains, stitched fragments and abraded passages become part of her visual language. Andhisti allows these encounters with materials to guide her paintings, balancing intuitive gestures with considered structure. Her surfaces invite close attention to what has been concealed, exposed or brought together again.
In Yang Robek Tak Selalu Hilang, she explores rupture and reconstruction through layered and stitched surfaces. Aku Sekarang Ibu develops an intimate reflection on memory and transformation. Choosing Servanthood turns toward faith and surrender, approaching spiritual experience through abstraction.
She holds a Master of Fine Arts in Fine Art Creation, specialising in Painting, from Institut Seni Indonesia Yogyakarta, and a Bachelor of Fine Art Education from Universitas Negeri Surabaya.
Her selected exhibitions include Manifesto 7: Pandemi at the National Gallery of Indonesia, the International Triennale at Jogja Gallery, Unity in Diversity in Surakarta, and Art Moment Jakarta — UOB Painting of the Year.
Her work offers a contemplative encounter with the marks that experience leaves behind, allowing viewers to discover their own connections within each painted surface.
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