Menine, 2017
Painting : acrylic, ink, pigment ink · 160 x 160 x 3.5 cm 63 x 63 x 1.4 inch
£11,110
11 110 £GB
Shipping & delivery
Shipped from: France
Delivery to: United Kingdom , £ 260
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Invoice from the artist Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
acrylic , ink , pigment ink on Linen
Dimensions ( cm • inch )
160 x 160 x 3.5 cm 63 x 63 x 1.4 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
The line becomes light and airy. A female figure emerges from a voluminous drapery. The dress, vast and luminous, occupies most of the space. It seems to float between reality and abstraction.
The graphic work relies on a marked contrast. A pointillist background, dense and dark, envelops the figure. This rain of black dots creates a striking visual relief.
The approach suggests a dialogue between the old masters and modern spontaneity. The superposition of textures brings a subtle depth. The drawing intertwines with calligraphic touches.
The balance is played between the void and the full. The silhouette remains sketched, almost immaterial. This composition invites reflection on time and memory.
The technical execution favors the purity of the gesture. A few brown lines define the structure of the garment. The overall impression exudes a melancholic and refined atmosphere. The eye finally rests on the discreet signature placed in the bottom right of the paper.
Presentation
Hanna Sidorowicz was born in 1960 in Poland. She is soon supported by influential actors in the art world such as Pierre Cabanne and Cecile Debray. Many exhibits in art fairs (FIAC 1990) and artgalleries (France, USA, UK, Denmark...) followed over the next 20 years.
Forging links between past and present, word and image, abstract and real, Hanna Sidorowicz's work is defined by opposition and synthesis. She pays homage to the Old Masters (Leonardo Da Vinci or Rembrandt) and by the great abstract painters of American origin, but she also pays homage to the new, drawing inspiration from the spontaneity and dynamism of the Abstract Impressionists. Her paintings exude a purity and simplicity which conceal a complex creative process, a layered evolution, born of superimposing different textures, mixing calligraphy and drawing, creating a mystery and symbolism which evoke references to the past and to scripture.
Thus Sidorwicz questions the meaning of time, the importance of the past in the creation of the new and builds her own world somewhere in the space between. The compositions themselves grow out of this duality: ethereal, sometimes melancholy, figures are juxtaposed with a solid, architectural backdrop, uniting the divine and the earthly, giving presence to the immaterial, creating a world that is as subtle as it is striking.
This Sidorowiczian universe, peopled with angels, the faces of wise old men and colored sketches inspired by the canvases of the great masters of the 20th century, produces a cultivated and refined work, a sort of visual thought incarnated in colored matter and line.
Forging links between past and present, word and image, abstract and real, Hanna Sidorowicz's work is defined by opposition and synthesis. She pays homage to the Old Masters (Leonardo Da Vinci or Rembrandt) and by the great abstract painters of American origin, but she also pays homage to the new, drawing inspiration from the spontaneity and dynamism of the Abstract Impressionists. Her paintings exude a purity and simplicity which conceal a complex creative process, a layered evolution, born of superimposing different textures, mixing calligraphy and drawing, creating a mystery and symbolism which evoke references to the past and to scripture.
Thus Sidorwicz questions the meaning of time, the importance of the past in the creation of the new and builds her own world somewhere in the space between. The compositions themselves grow out of this duality: ethereal, sometimes melancholy, figures are juxtaposed with a solid, architectural backdrop, uniting the divine and the earthly, giving presence to the immaterial, creating a world that is as subtle as it is striking.
This Sidorowiczian universe, peopled with angels, the faces of wise old men and colored sketches inspired by the canvases of the great masters of the 20th century, produces a cultivated and refined work, a sort of visual thought incarnated in colored matter and line.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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