Sin título II, 2007
Photography : pigment ink · 40.2 x 30.2 cm 15.8 x 11.9 inch
€1,200
1 200 €
Delivered in time for Christmas
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Shipped from: Spain
Delivery to: Germany Free delivery
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 50 copies
5 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
pigment ink on paper
Dimensions ( cm • inch )
40.2 x 30.2 cm 15.8 x 11.9 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Untitled II (2007) is a pigment print by Chema Madoz (Madrid, 1958), National Photography Prize of Spain in 2000 and the most internationally celebrated Spanish photographer of his generation. Madoz works exclusively in black and white and builds his images from everyday objects that he alters, combines or displaces to create visual poems, metaphors and paradoxes with a precision that recalls Magritte and the tradition of surrealist photography. Each photograph begins as a sculpture or construction in the studio, which is then photographed under carefully controlled light; the resulting print, here produced with archival pigment inks on a 40.2 x 30.2 cm sheet, displays the deep blacks and silvery greys that define his aesthetic. Published by Polígrafa on cotton paper (image 25.5 x 25.2 cm), the work is issued in an edition of 50, hand-signed and numbered by the artist. Madoz's work is held in the Museo Reina Sofía, the Centre Pompidou and major international photography collections. Listed under Photography in accordance with the nature of the work.
Presentation
Born in Madrid in 1958, Chema Madoz is one of the most distinctive Spanish photographers of his generation. He discovered photography as a self-taught artist in the early 1980s, during the creative surge of the Movida madrileña, the vibrant cultural movement that followed the end of Franco's regime. Early in his career, he developed a unique style that blends minimalism, surrealism, and poetic visual language.
Chema Madoz's work centers around a deeply conceptual approach to everyday objects. In his studio, he collects items found in flea markets, secondhand shops, or even discarded on the street—ordinary objects like books, ladders, watches, or shoes. Through careful transformation and unexpected combinations, he removes them from their utilitarian context to reveal hidden meanings and new narratives. His visual world evokes the dreamlike sensibility of Magritte and the playfulness of a modern-day cabinet of curiosities.
For over three decades, his black-and-white silver gelatin prints have composed a poetic inventory of reality, reimagined through a lens of illusion and metaphor. Each photograph becomes a visual poem, inviting viewers to question their perceptions and rediscover the familiar with fresh eyes.
Celebrated with numerous awards and featured in major international institutions, Chema Madoz has established himself as a leading figure in contemporary photography, known for his formal precision and symbolic depth.
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