Restaurant de l'union, 1978
Print : lithography · 67 x 52.1 cm 26.375 x 20.5 inch · Ready to hang
CHF 3,032
3 032 CHF
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Shipped from: United States
Delivery to: Switzerland , CHF 108
Estimated delivery: Less than one week
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Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 99 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
lithography on paper
Dimensions ( cm • inch )
67 x 52.1 cm 26.375 x 20.5 inch Height x Width x Depth
Artwork dimensions including frame
86.4 x 71.1 cm 34 x 28 inch
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
The artwork here, "Restaurant de l'union", is a wonderful abstract, which was created with acute detail and vibrant color throughout. Making it one of the nicest pieces by Pierre Alechinsky we have ever made available. Also, measuring approximately 26 ⅜" x 20 ½" (archival matted to 26" x 20") and 34" x 28" with the high-quality frame, the immaculate artwork is of impressive craftsmanship and size. Finally, this lithograph is from Plate II from the portfolio Papiers Traites, has remained in excellent condition since its publication by Maeght Editeur, Paris in 1978, is signed in the center, numbered 17 of 99, and comes with a Gallery Letter of Authenticity.
Pierre Alechinsky's art has been exhibited at major museums and is held in some of the most prestigious public and private collections worldwide. Now, this authentic work can be part of yours, as it will be professionally packaged for domestic or international shipment. Therefore, please contact us if you have any questions, and do not forget to submit your offer.
Every item comes with free custom framing. We have wood frames with gold, silver, black, or brown finishes to offer you. Please note that in order to preserve the quality of the artwork and condition of the frame, most items are framed at the time of purchase. Due to issues within the supply chain and delays with framing products availability, the frame you see pictured might not be currently available. If we do not hear from you regarding your framing options we will do our best to frame it in a similar style and color.
Presentation
Born in Brussels in 1927, Pierre Alechinsky is a renowned Belgian artist known for his dynamic, calligraphic style and his influential role in the Cobra movement.
In 2024 and 2025, Pierre Alechinsky's work continues to be celebrated through notable exhibitions:
"Alechinsky, Pinceau Voyageur" at Fondation Boghossian, Brussels (October 19, 2024 – March 16, 2025): This exhibition delves into Alechinsky's lifelong fascination with Japanese calligraphy and his collaborations with poets like Henri Michaux and Christian Dotremont. It showcases his journey and the evolution of his artistic expression.
"Ne fêter ni l'an ni la vitesse" at Galerie Lelong & Co., Paris (January 16 – March 8, 2025): Centered around a significant lithograph created nearly three decades ago, this exhibition features a collection of Alechinsky's prints. The showcased lithograph exemplifies his signature style, presenting a dynamic central image surrounded by smaller, detailed vignettes.
From 1944 to 1948, Alechinsky studied typography, photography, and printmaking at the École nationale supérieure d'architecture et des arts décoratifs de la Cambre in Brussels. During this time, he discovered the works of Michaux, of Dubuffet, and of the Surrealists, which greatly influenced his artistic development. In 1947, he held his first solo exhibition, marking the beginning of a prolific career.
In 1949, Alechinsky joined the avant-garde Cobra movement , founded by artists Christian Dotremont, Asger Jorn, and Karel Appel. The movement embraced spontaneity, expressive gestures, and a rejection of formal abstraction, principles that remained central to Alechinsky's work. Even after Cobra dissolved, he continued to uphold its spirit, famously stating, "Cobra is my school."
Moving to Paris, he trained as an engraver at Atelier 17 under Stanley William Hayter and developed friendships with key figures like Alberto Giacometti, Bram van Velde, and Walasse Ting. During this period, he also explored Japanese calligraphy, drawn to its fluid spontaneity, and traveled to Kyoto, where he created a documentary on traditional Japanese art.
In the 1960s, Alechinsky made frequent visits to New York, where he embraced acrylic painting, introduced to him by Walasse Ting. This technique enabled him to develop his signature "paintings with notes in the margins", inspired by comic book layouts. His most famous work, "Central Park" (1965), exemplifies this approach, blending bold gestures with intricate visual storytelling.
Beyond painting, Alechinsky was passionate about literature and book illustration, collaborating with writers like Emil Cioran, Michel Butor, Yves Bonnefoy, and André Frénaud. His works have been showcased in major international exhibitions and retrospectives, cementing his status as a leading contemporary artist.
In 1983, Alechinsky became a professor of painting at the École nationale supérieure des Beaux-Arts in Paris. His artistic legacy spans diverse media, including large-scale public commissions such as works for the Palais Bourbon and the French Ministry of Finance. Today, his paintings and prints are held in prestigious collections worldwide.
Pierre Alechinsky continues to live and work in Bougival, France, where he remains an enduring force in contemporary art.
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