Bronze Sculpture for Sale
Winter, 2016
Print : Screen Print · 66.3 x 26.2 x 0.1 cm 26.1 x 10.3 x 0 inch · Ready to hang
CHF 1,282
1 282 CHF
Shipping & delivery
Shipped from: China
Delivery to: Switzerland , CHF 197
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 300 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
66.3 x 26.2 x 0.1 cm 26.1 x 10.3 x 0 inch Height x Width x Depth
Artwork dimensions including frame
94 x 52 x 3 cm 37 x 20.5 x 1.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
A serene composition blends nature and femininity. This artwork captures a moment of quiet introspection. A slender figure stands wrapped in a soft blue shawl. Her gaze is downward. The posture suggests a gentle melancholy. Pale tones dominate the scene. The cream-colored gown flows with organic grace. Surrounding her are snow-covered branches. These white accents create a frosted winter atmosphere. Each line provides a rhythmic flow. The influence of Japanese aesthetics is clear. Flat areas of color meet delicate contours. An ornamental border frames the vertical scene. This frame adds a structured elegance to the ethereal subject. The harmony between the woman and the landscape evokes a sense of stillness. Winter becomes a sanctuary for reflection. The artist employs a muted palette to emphasize the cold air. Soft shadows define the folds of the fabric. Every detail serves a symbolic purpose. The integration of floral motifs reinforces the Art Nouveau spirit. The gaze remains fixed on a hidden point of contemplation. Light filters through the snowy canopy. A thin vertical format guides the eye upward. The scene ends with the delicate tips of frosted twigs.
Presentation
Alfons Mucha was a Czech artist born in 1860 in Ivancice, Czech Republic, and died in Prague in 1939. As a child, he drew a lot and used to caricature his classmates. A good calligrapher and draughtsman, he was first hired as a clerk and then worked for the Kautsky-Brioché-Burghardt publishing house. He later settled in Mikulov, where he painted landscapes and portraits . In 1885, he entered the Munich Academy of Arts for two years. At the age of 27, he left for Paris, where he enrolled at the Académie Julian and was then hired by the important publishing house Armand Colin.
Living in Montmartre, Alphons Mucha met many artists, including Gauguin. He was also interested in photography and created illustrations for the press. In 1894, he was led by chance to create his first poster for a play by Sarah Bernhardt, "Gismonda." His poster was a real success, and he collaborated with Sarah Bernhardt for six years under an exclusive contract for the theater. With the actress having an international reputation, many brands flocked to Mucha's door to commission works from him (Job cigarettes, Lu biscuits, Ruinart champagne, etc.).
Gradually, Mucha's style was given the name Art Nouveau , and commissions poured in from all over the world. In 1897, the Galerie la Bodinière organized an exhibition in his honor, and other exhibitions followed, each one more prestigious. In 1900, he was asked to participate in the World's Fair, and in 1905, he left for New York, where his arrival was a major event. He then returned to France, where he wanted more time to devote to painting. In 1908, he completed his last major Art Nouveau work: the decoration of the German Theatre.
In 1910, Mucha decided to devote the rest of his life to painting twenty large-scale paintings depicting a symbolic epic of the Slavic people since Antiquity. Mucha then undertook a study trip, and in 1911, settled in Zbirov where he worked on these canvases. In 1919, the first seven canvases were exhibited in Prague. The first eleven went to the United States and caused a sensation. In 1921, he returned to Europe for good, and in 1928, his Slavic epic was officially handed over to the city of Prague.
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Reviews from our customers
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