![José Rozalem, Una flor digital, una flor sin olor [A digital flower, a flower without scent],](https://media.artsper.com/artwork/2489611_1_m.jpg "José Rozalem, Una flor digital, una flor sin olor [A digital flower, a flower without scent]")
![José Rozalem, Una flor digital, una flor sin olor [A digital flower, a flower without scent],](https://media.artsper.com/public/img/svg/ill_placeholder_artwork.svg "José Rozalem, Una flor digital, una flor sin olor [A digital flower, a flower without scent]")
Una flor digital, una flor sin olor [A digital flower, a flower without scent], 2025
Sculpture : 3D print, resin · 20 x 10 x 10 cm 7.9 x 3.9 x 3.9 inch
€90
90 €
Delivered in time for Christmas
One of the last works available by this artist
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Shipped from: Spain
Delivery to: Germany , € 8
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : numbered and limited to 33 copies
33 copies available
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Not Signed
Dimensions ( cm • inch )
20 x 10 x 10 cm 7.9 x 3.9 x 3.9 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
In a context marked by the growing technification of experience, memory and affective bonds are increasingly mediated by images, data, and processes of digital reproduction. Objects cease to function solely as material supports of memory, becoming instead nodes within a network of records, copies, and representations that prolong their existence beyond their physical presence.
The intervention stems from a flower I gave to someone with whom I shared a brief emotional relationship. Taking this object as a vestige of a past experience, I captured, 3D-modeled, and 3D-printed it, generating multiple digital and material replicas. Through this process, the flower is transformed into a technical image capable of being archived, reproduced, and reactivated indefinitely, shifting its status from a singular object to that of replicable data.
The action consisted of casting these copies into the river. Rather than an act of discarding memory, the intervention prompts a reflection on the contemporary impossibility of completely erasing that which has been recorded. The pieces function as remnants of an affective memory subjected to processes of technological translation, where reproduction does not guarantee the permanence of meaning, but instead multiplies its modes of appearance and circulation.
Presentation
Jose Rozalem (Madrid, 2002) is a visual artist whose work addresses new digital media in relation to traditional artistic practices such as sculpture, generating encounters between the digital and the physical. He investigates the relationship between the immateriality of the digital universe and the material reality. This leads him to propose affective-poetic reflections on technology, leveraging its speculative nature to imagine new hybridizations with the virtual realm. His practice pays special attention to the contemporary hypermediation of memory, identity, digital imagery, and affectivity. Using 3D modeling and printing, photogrammetry, creative programming, and sculpture, he constructs installations that transform physical space into an interpretation of the digital environment.
Graduated in Fine Arts and Design from Universidad Francisco de Vitoria (2025), he is currently pursuing a Master's in Art and Creation Research at Universidad Complutense de Madrid. In 2024, he worked as a studio assistant for artists Ángel Haro and Javier de Juan. His work has been exhibited at Espacio Nébula (, 2024), JustMad art fair (2025), Estudio Nebot (, 2026—where he is a member and manager), and Espacio Plomo. Since June 2026, he has been represented by La Llave Studio gallery.
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