Sans titre
Dominique Liccia
Fine Art Drawings - 48 x 39 cm Fine Art Drawings - 18.9 x 15.4 inch
$694
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Proletarians Consume,
2023
Dominique Liccia
Fine Art Drawings : pencil, colored pencil
32 x 24 cm 12.6 x 9.4 inch
$520
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
32 x 24 cm 12.6 x 9.4 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: France
Dominique Liccia was born in Novella in 1953 in Haute-Corse. He has been painting and sculpting for many years. He is passionate about "Street-art", graffiti, tags and torn posters. He produces large paintings, most often in wood, but also often small-format drawings. He uses mixed media on his paintings (wood, paper, pastel, paint, pencil...) Through his work he tries to convey strong political messages. Liccia has chosen the path of protest and not that of pictorial aesthetics. With the evolution of society, the paintings of the artist have also changed. In his paintings, he denounces the political and economic excesses of today's world.
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About the seller
Galerie Polysémie • France
Artsper seller since 2013
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Discover more by the artist
Sans titre
Dominique Liccia
Fine Art Drawings - 39 x 48 cm Fine Art Drawings - 15.4 x 18.9 inch
$751
VIEUX MONDE DEBOUT
Dominique Liccia
Fine Art Drawings - 32 x 48 cm Fine Art Drawings - 12.6 x 18.9 inch
$809
Sans titre
Dominique Liccia
Fine Art Drawings - 48 x 39 cm Fine Art Drawings - 18.9 x 15.4 inch
$694
Stop la guerre
Dominique Liccia
Fine Art Drawings - 32 x 24 x 0.1 cm Fine Art Drawings - 12.6 x 9.4 x 0 inch
$520
Presentation
Dominique Liccia was born in Novella, Corsica in 1953. Coming from a family of workers who did not receive an intellectual education, it is through his readings that he gets into contact with the arts. A painter of art brut, he began to claim his ideas on the city walls. His style of painting is very violent, expressive and especially engaged.
In 1968, the year of unrest and riots, he was working any jobs he could find. At the same time, he began to develop an interest for art and especially for sculpture. In the 1980s, he was an activist for the rights of his land and his people and became increasingly focused on his painting and on political messages.
In 1990, he made his debut in the art world, showing three paintings at the winter salon in Lyon. Three years later, he had his first solo show at the Gerard Chomarat Gallery in the 8th arrondissement of Lyon. The critics began to show an interest in his work. His artistic career took off.
He has been painting and sculpting for many years. He is passionate by street-art, graffiti, tags and street posters. He prefers to paint on large wooden pieces and he uses mixed techniques (wood, paper, pastel, painting, pencils...).
Through his paintings, he tries to share his strong political messages. Liccia has chosen the direction of protest and not that of pictorial aesthetic. With the evolution of society, his paintings have also changed. In his paintings, he denounces the political and economic problems of the world.
Read more
In 1968, the year of unrest and riots, he was working any jobs he could find. At the same time, he began to develop an interest for art and especially for sculpture. In the 1980s, he was an activist for the rights of his land and his people and became increasingly focused on his painting and on political messages.
In 1990, he made his debut in the art world, showing three paintings at the winter salon in Lyon. Three years later, he had his first solo show at the Gerard Chomarat Gallery in the 8th arrondissement of Lyon. The critics began to show an interest in his work. His artistic career took off.
He has been painting and sculpting for many years. He is passionate by street-art, graffiti, tags and street posters. He prefers to paint on large wooden pieces and he uses mixed techniques (wood, paper, pastel, painting, pencils...).
Through his paintings, he tries to share his strong political messages. Liccia has chosen the direction of protest and not that of pictorial aesthetic. With the evolution of society, his paintings have also changed. In his paintings, he denounces the political and economic problems of the world.
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