
Untitled II. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 49.8 x 49.8 x 0.3 cm Photography - 19.6 x 19.6 x 0.1 inch
$1,250
Photography : black & white edition, archival pigment print
49.8 x 49.8 x 0.3 cm 19.6 x 19.6 x 0.1 inch
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Type
Numbered and limited to 20 copies
19 copies available
Signature
Signed artwork
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
49.8 x 49.8 x 0.3 cm 19.6 x 19.6 x 0.1 inch Height x Width x Depth
Framing
Not framed
Artwork sold in perfect condition
Artwork location: United States
Untitled XII. (nc-17-S1-0003) Archival Pigment Print on Hahnemuhle fine art paper. Edition 1/20 + 1AP. Large size: Sheet size: 100 H cm x 100 W cm. Image size: 90 H cm x 90 W cm. Edition of 5 + 1AP Unframed. Black & White photography. "Chiromorphose" 2010. Nico Baixas / Gos-com-fuig. (Photographies by Mara Sanchez-Renero).
This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, I explored them like someone examining a foreign body, searching for their limits and pushing them in different directions. To do this, I used opposing sculptural concepts like straight-curved, and simple-complex; searched for the interconnection between fingers, and the balance between distances, and tried to generate geometric shapes and textures. At times, I would find shapes that were like doors opening onto a myriad of new possibilities. Throughout the process, I discovered a world of fingers that transformed reality taking it to another level. It is an abstract development, I didn't try to make the forms resemble known things. Despite this, the results are very suggestive, sometimes they look like architectural constructions or industrial designs, shells, corals, branches, flowers, masks. This effect is produced because many of these real objects are made with the same proportions or mathematical patterns inherent in nature. This is a question that interested me a lot. The fact that the distance of the finger bones coincides with the Fibonacci numbers, related to the golden ratio, which the Greeks and Renaissance considered the ideal of beauty, gives these shapes a special balance and perhaps a divine dimension.
This artwork features a striking composition of two hands, skillfully intertwined to form a symmetrical and intriguing shape. The hands are depicted with meticulous attention to detail, capturing the subtle textures of the skin and the natural curvature of the fingers. The positioning creates an almost architectural structure, reminiscent of a steeple or an abstract figure, inviting contemplation and interpretation. The grayscale palette enhances the piece's minimalist aesthetic, emphasizing the hands' form and texture. This monochromatic choice adds a timeless, elegant quality, allowing the viewer to focus on the composition's intricacy. The simplicity of the background ensures the hands remain the focal point, highlighting the artist's mastery in conveying complex shapes and emotions through deceptively simple means. This artwork is a testament to the beauty and expressiveness of human anatomy, offering a contemplative exploration of form and function.
About the seller
The Art Design Project - Art Gallery • United States
Artsper seller since 2019
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Nico Baixas / Gos-com-fuig is a creative interdisciplinary artist from Barcelona. He started performing in theater at three years of age with his parent's company La Claca whose most important work was a collaboration with the famous painter Joan Miró.
Surrounded by an ambient of artistic freedom, Nico spent most of his childhood in art museums and theaters of the five continents when he resolves to pursue an artístic career, studying music, working in cinema and acting.
On his mother's side, his grandparents were deaf and spoke sign language, Nico inherited a special talent with his hands creating a unique style of virtuoso hand puppet performances.
After joining Cirque du Soleil his work is acclaimed by audiences and critics of major cities like New York, Tokyo, Paris, London, Rome...
Aside from his career as an actor and hand puppeteer, Nico develops a more personal line of work which he signs as Gos-com-fuig. With this alter ego he uses his hands and body to paint and create abstract and figurative photographs, videos, sculptures, and multimedia performances which give the viewer lots of freedom of interpretation.
This body of work started with a collection of all the shapes that can be created with two hands which are formed by one thousand shapes organized in order. The project received the grant GENERACIONES 07 and was presented at the art fair ARCO (Madrid).
Afterward, continued with a photographic exhibition, the publication of a book, and the development of a multimedia system composed of a computer program and video cameras which allowed him to paint using his hands and body.
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