Composition Cercle et Carré (noir, rouge)
Gottfried Honegger
Print - 61 x 61 cm Print - 24 x 24 inch
$451
Composition géométrique 3D (jaune, noir),
2015
Gottfried Honegger
Print : Screen Print
80 x 61 cm 31.5 x 24 inch
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About the artwork
Type
Numbered and limited to 30 copies
Signature
Hand-signed by artist
Authenticity
Invoice from the gallery
Medium
Dimensions cm • inch
80 x 61 cm 31.5 x 24 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: France
Beautiful original screenprint signed in pencil and annotated EA in pencil by the artist who recently died; publisher's dry stamp in the margin at the lower left corner. Condition: excellent; the work has never been framed. Support: vellum paper.
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Collector’s Guide
Imagine it at home
Discover more by the artist
Composition 1 carré 3D (rouge)
Gottfried Honegger
Print - 62 x 61 x 1 cm Print - 24.4 x 24 x 0.4 inch
$566
Composition 4 carrés 3D (orange, vert, noir, jaune)
Gottfried Honegger
Print - 71 x 61 x 1 cm Print - 28 x 24 x 0.4 inch
$566
Composition 3 carrés 3D (vert, noir, jaune)
Gottfried Honegger
Print - 70 x 61 x 1 cm Print - 27.6 x 24 x 0.4 inch
$566
Presentation
Gottfried Honegger was born in Zurich in 1917. He lives and works in Paris.
In 1950, he became an Abstract artist, influenced by Zurich's concrete art (Bill, Lohse, Graeser) and American painting (Rothko, Newman), Gottfried Honegger found validation of his work during his stay in New York (1958- 1960), where the gallery Martha Jackson organized the first exhibition of his works in 1960. He settled in Paris afterwards, where he made some researches on painting and sculpture. His paintings are arrangements back up by a system, using relief and monochrome, but the structure and the skin of the work remains particularly worked.
The simple geometric forms that he uses (squares, circles) are arranged inside a regular orthogonal frame according to a pre-established program and always based on calculations. His paintings are made of cardboard pieces posed sharp edged and marouflaged over a canvas, then covered with many layers of paint. The artist gets a relief effect on the surface that catches light and makes the composition changeable. The hollow or relief shapes are sometimes created by incisions, which he calls "Bevellings".
Honegger likes involving chance in the programming of his works and uses the computer or just a dice game for that. In sculpture, which he practices as well since 1968,it prevails the study of volumes, consisting of cubes, spheres and their multiples, as well as the establishment of structures and patterns based on systems.
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In 1950, he became an Abstract artist, influenced by Zurich's concrete art (Bill, Lohse, Graeser) and American painting (Rothko, Newman), Gottfried Honegger found validation of his work during his stay in New York (1958- 1960), where the gallery Martha Jackson organized the first exhibition of his works in 1960. He settled in Paris afterwards, where he made some researches on painting and sculpture. His paintings are arrangements back up by a system, using relief and monochrome, but the structure and the skin of the work remains particularly worked.
The simple geometric forms that he uses (squares, circles) are arranged inside a regular orthogonal frame according to a pre-established program and always based on calculations. His paintings are made of cardboard pieces posed sharp edged and marouflaged over a canvas, then covered with many layers of paint. The artist gets a relief effect on the surface that catches light and makes the composition changeable. The hollow or relief shapes are sometimes created by incisions, which he calls "Bevellings".
Honegger likes involving chance in the programming of his works and uses the computer or just a dice game for that. In sculpture, which he practices as well since 1968,it prevails the study of volumes, consisting of cubes, spheres and their multiples, as well as the establishment of structures and patterns based on systems.
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