Habiter un corps (Ours),
2024
Céline Parmentier
Print : etching
40 x 30 x 0.1 cm 15.7 x 11.8 x 0 inch
€180
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About the artwork
Type
Numbered and limited to 5 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
40 x 30 x 0.1 cm 15.7 x 11.8 x 0 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
A human figure stands in an imposing and dignified posture. He is accompanied by a bear that seems to be a protective adornment. Done in black and white, this engraving (etching) plays on contrasts. The bear's head stands out against a dark background. The light highlights the textures and details of the fur. The engraving technique used here allows for subtle shades of gray, adding depth and relief to the composition. The lines and hatching, executed with precision, draw the muscular contours of the body that appears both human and bestial. The cast shadows and illuminated areas accentuate this disturbing duality, creating a link between the wild and the civilized, raising questions about identity, transformation and the coexistence of the two worlds.
About the seller
Professional art gallery • France
Artsper seller since 2023
Vetted Seller
This seller rewards your purchases of multiple artworks
Collector’s Guide
Imagine it at home
Discover more by the artist
Habiter un corps (louve)
Céline Parmentier
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Le bruit du monde
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Sculpture - 43 x 15 x 23 cm Sculpture - 16.9 x 5.9 x 9.1 inch
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Presentation
Céline Parmentier is an artist who creates sculptures and prints on the edge of the forest of Fontainebleau. She has exhibited in France and abroad since 2012.
In his work which is linked to the living, the connections between species, it happens that his characters are similar to hybrids. Everything is then a pretext to have fun with gender and borders by creating encounters between bodies and necessary or hazardous metamorphoses.
The wood she works comes from her region rich in noble and fruit trees. Sculpting allows him to reveal the intimacy of wood, its accidents of growth, its knots, its fiber, its color, its beauty, its course of life. Time works and the work on this generous material gives it a second life.
The tools she uses are mostly manual which gives clean and clean cuts, thus allowing to cut to go to the essential line and the intensity of the shape. The material is removed methodically and slowly, the exciting challenge being to put an idea into volume and inscribe it in space.
The lines and colors of his engraving work are also born from a slow and incisive gesture to give shape to an expressive alchemy. Exploring the techniques linked to printmaking promotes the appearance of a little mythology hitherto hidden, freeing up the formatting of a graphic story. The mystery of the inks and the passage under the press are always a suspended moment, a time of surprise then of escape.
For Céline, sculpting and engraving are closely linked and have their full meaning in her artistic practice.
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