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Faisceaux lumineux,
2024
ART-MCB
Print : subligraphie
40.5 x 30 x 3 cm 15.9 x 11.8 x 1.2 inch
CHF 1,709
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Dimensions cm • inch
40.5 x 30 x 3 cm 15.9 x 11.8 x 1.2 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: France
This abstract artwork, dominated by angular geometric shapes, immediately captures the attention with its ingenious use of color and perspective. Earthy hues of brown, beige, and green blend seamlessly, creating a sense of depth and three-dimensionality. The bold, almost triangular hint of blue surges toward the top of the image, perhaps symbolizing an ascension toward infinity. The juxtaposition of cool and warm tones adds dynamic tension to the composition, giving the impression of a reimagined landscape. The use of light and shadow accentuates the prismatic and faceted aspect, transforming the work into a captivating exploration of form and space. This piece defies traditional categorization and invites the viewer to freely interpret its hidden meanings and subtle nuances.
About the seller
Professional art gallery • France
Vetted Seller
Imagine it at home
Discover more by the artist
Faisceaux Lumineux Bleu-Vert
ART-MCB
Print - 40.5 x 30 x 3 cm Print - 15.9 x 11.8 x 1.2 inch
CHF 1,709
Presentation
Art-Mcb Of Spanish origin and French nationality. Painter and Mixed Technique Artist
Inspired by Escher – Picasso – and influenced by a teeming artistic environment that surrounds her, she will create a unique and unique work of kinetic art & Op Art that showcases the visualization of 3D/4D and 5D. She offers a series of stereoscopic works entirely hand-made in oil & acrylic paint that highlight the world of 3D. She creates her first models on 4D in a logical and instinctive way in 1999 and talks with Jacques Ninio about her discoveries. She shares with him her first models on a 3D innovation that has not yet been revealed to the public to this day. She creates small paintings based on the refraction of light.
She is researching in the field of "Art & Mathematics" and is interested in 4D visualization. She reads books on arts, nature and science.
"In the same way that we can draw the perspective of a three-dimensional figure on a plane, we can also draw a four-dimensional figure on a two-dimensional canvas. We can thus say that it is possible for us to represent 4D." Henri Poincaré, Sciences & Hypothèses 1902.
She is creating a series on the visualization of 4D. She is researching crystallography and is creating a table with figures of 5-fold symmetry. Then she is proposing a series on the new representation of 5D.
Throughout her career, and through her encounters in the artistic world, she exhibited at the Salon de Montrouge, the Stéréo Club Français, the European Parliament in Brussels, 20 universities in France, the Futuroscope in Poitiers, and the Loft & Dorval Gallery in Paris. She was invited to exhibit on the roof of the Grande Arche de la Défense - At the Armory show - New York, at the Art-Basel project in Germany. She was invited to the G20 in Hangzhou in China and the Hangzhou Museum acquired two of her stereoscopic works. She became an actor in Franco-Chinese friendships and exhibited at the Château Conti as part of the Franco-Chinese Festival of Isle Adam.
Her work on 3D and digital animation of works of art is included in the archives of the art critic Pierre Restany and her current work is noticed by the famous art critic, Gérard Xuriguera who writes a text placing her in the lineage of Op-art and more generally constructivist. He also includes her in his circle of reflection and exchange in Paris.
Sensitized by the geometric representation offered by Nature, she then proposed a series of landscapes treated in Digital Art which are part of the movement of the defense of nature through Art.
Combining photography with digital painting, she continues to offer a mathematical language of beauty including that of plants, minerals, etc.
Isn't the whole universe mathematical in structure?
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