Cuaressman (ex. 2/25),
2014
Lottas
Print : linocut, woodcut
60 x 40 cm 23.6 x 15.7 inch
€400
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About the artwork
Type
Numbered and limited to 25 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
60 x 40 cm 23.6 x 15.7 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Germany
Woodcut, linocut and embossing on amate, a Mexican handmade paper made according to traditional methods dating back to the pre-Hispanic period. The color of the motif changes according to the color of the background. Edition of 25.
The universe of Lottas is nourished by a great knowledge of pre-Columbian civilizations and also makes reference to Mexican popular culture. Lottas borrows traditional shapes and patterns from Mayan and Aztec art. Skulls, animals, mythological creatures and anatomical hearts form the core of his pictorial world.
Read more
The universe of Lottas is nourished by a great knowledge of pre-Columbian civilizations and also makes reference to Mexican popular culture. Lottas borrows traditional shapes and patterns from Mayan and Aztec art. Skulls, animals, mythological creatures and anatomical hearts form the core of his pictorial world.
About the seller
Professional art gallery • Germany
Artsper seller since 2016
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Collector’s Guide
Imagine it at home
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Presentation
Lottas was born in 1973 in Mexico, today he lives and works at Playa del Carmen in Mexico.
He studied painting and graphic art and improved himself alongside renown master printers as Alfredo Mereles from the Taller de Gráfica Popular.
The universe of the artist is nourished with a great knowledge of pre-Columbian civilizations and also makes reference to the popular Mexican culture. He borrows from Mayan and Aztec arts the traditional forms and motifs, as the Tezcatlipoca mask, major divinity of the Aztec pantheon, to which he subtly merges elements evoking the social mores that surrounds him, as gambling activities - suggested by clovers, hearts, spades and diamonds. Skulls, animals, mythological creatures and anatomical hearts represent a large part of his pictorial universe.
The support of Lottas’ etchings are rooted in the Mexican culture. To print his engraved wood and lino cuts, he uses hand-made paper « Amate ». Manufactured in Puebla region, using traditional methods which dates back to the pre-Hispanic period, it is also used by spiritual masters in rituals – it should have magical attributes.
Lottas regularly attends exhibitions in Mexico and South America, his work has also been exhibited in Chicago and London. Recently, a personal exhibition was dedicated to him at the Cozumel museum in Mexico. Since 2014, the gallery Jordan/Seydoux has been exhibiting his etchings in Edition fairs.
Read more
He studied painting and graphic art and improved himself alongside renown master printers as Alfredo Mereles from the Taller de Gráfica Popular.
The universe of the artist is nourished with a great knowledge of pre-Columbian civilizations and also makes reference to the popular Mexican culture. He borrows from Mayan and Aztec arts the traditional forms and motifs, as the Tezcatlipoca mask, major divinity of the Aztec pantheon, to which he subtly merges elements evoking the social mores that surrounds him, as gambling activities - suggested by clovers, hearts, spades and diamonds. Skulls, animals, mythological creatures and anatomical hearts represent a large part of his pictorial universe.
The support of Lottas’ etchings are rooted in the Mexican culture. To print his engraved wood and lino cuts, he uses hand-made paper « Amate ». Manufactured in Puebla region, using traditional methods which dates back to the pre-Hispanic period, it is also used by spiritual masters in rituals – it should have magical attributes.
Lottas regularly attends exhibitions in Mexico and South America, his work has also been exhibited in Chicago and London. Recently, a personal exhibition was dedicated to him at the Cozumel museum in Mexico. Since 2014, the gallery Jordan/Seydoux has been exhibiting his etchings in Edition fairs.
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