Transition, 2020
Ruth Thomas

Print : collagraphy

53 x 53 x 1 cm 20.9 x 20.9 x 0.4 inch

CHF 928

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About the artwork

Type

Numbered and limited to 10 copies

1 copy available

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

53 x 53 x 1 cm 20.9 x 20.9 x 0.4 inch Height x Width x Depth

Framing

White wood frame with glass

Artwork dimensions including frame

75 x 74 x 4 cm 29.5 x 29.1 x 1.6 inch


Artwork sold in perfect condition

Artwork location: United Kingdom

Ruth Thomas:
"I have been producing hand-made original prints for many years, incorporating direct impressions from natural objects such as feathers, grass and seeds. Printmaking processes I use include relief printmaking, monoprint and collagraph (a print from a collage).

My circular prints refer to planets, moons and natural phenomena; they are all collagraphs – hand-made prints from collaged printing plates – and in some plates I have used marram grass from the coast as the collage material. The printing plates are sealed with varnish, and when dry, ink is rubbed into the surface, or applied with a roller – the two ways of inking give a different result. The image is built up by over-printing layer upon layer.’'

Note to the medium: Collagraph & relief print with hand colouring
Ed: 1/10.
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About the seller

London Contemporary Art • United Kingdom

Artsper seller since 2015

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Imagine it at home

Ruth Thomas, Transition
United Kingdom

Presentation

'I feel immensely fortunate whenever I walk into my studio. It's a wonderful place in which to work. I have my etching press, ample worktop space to spread out, excellent natural light and inspirational views of the Clwydian hills. I am often joined by either our cat, Ruby, or our Welsh terrier, Charlie. This is where I plan my images, mix inks, make and print my printing plates, store my papers and all materials, have work in progress on display. This is where I create my work. It's not always an easy process; there are many frustrating times when things don't go right but it's a battle I (almost) enjoy, and when a piece turns out well, that is, when it seems to strike the right chord in terms of atmosphere, composition, concept and technique, there is no better feeling.


I've been making my work for over thirty years now, since I graduated in 1985 with a degree in Fine Art. Then I concentrated on painting, collage and drawing. My work has changed over the years and since the early 1990s I've called myself a printmaker. I have made etchings, screenprints and drypoints but the process which allows me to express myself best, is collagraph. A collagraph is a print from a collage, particularly an intaglio print. Virtually any materials can be used as long as they are fairly flat – fabrics, papers, threads, carborundum – and these days I mostly use found natural materials. I also take direct impressions from these objects without making a plate to create monoprints.' R.Thomas

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