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Ben

Ben

France • Born in: 1935

Masterpieces

Meaningful Typographies

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French artists

Is everything art? A question which is tirelessly asked in History of art and by the artist, Ben. His real name Benjamin Vautier, born in Naples in 1934. His future will be built between Switzerland, Turkey and Egypt but also and mainly in France, as he moves to Nice.

He asks a lot of questions, mostly through his paintings. Famous for his written works, constantly affirming or questioning the world around us. In 1950, he opens a stall in Nice where he organizes exhibitions. This place quickly becomes a place for artists of the region to get together, who nourish the reflexion on art as a team.

Ben spends time with César, Martial Raysse and Arman. Together, they make up a group of artists and work on their quest for novelty and turn into the Ecole de Nice. They want to prolong the heritage of Marcel Duchamp and drive art into a corner, by walking on the footsteps of John Cage or the Dada movement.

Ben wrote his destiny in 1953 « Il faut manger, il faut dormir », with this simple and obvious paraphrase, he created his first "writing". To speak and question art in a better manner, he decides to write it down and put it in letters, through a visual writing. He initiates a step towards conceptual art, which isn't developed yet.

As a logical extension of his approach, Ben then focuses on the importance of the artist's signature in art. His first signature saw the light of the day in 1958. He just doesn't scribble on a piece of paper, no, he signs the world, everything on the move around him.

This way, his questions the concept of ego, of me, but also the idea of appropriation. These strong notions shake up the codes of art, just the way the artist wanted to. As for the art marker, Ben underlines the strength of the signature today, which is sometimes more important the art work itself.

It's going to be a tough task, making the world his but Ben doesn't give up. He signs in abundance, people in the streets, his friends, family and creates his first living sculptures in 1959. Through labeling his environment, Ben has the impression of linking life to art, and once again asks us if everything is possible in art and if everything makes up art.

The thought of appropriation goes through a lot of research until 1963. In the meantime, he joins the Fluxus group, which considers itself to be a non artistic movement and questions the status of the artist and the art work in society Games and humor predominates the group, and Ben's work will soon be influenced by this.

His handwritten punchlines in white with a black background resonate like true slogans. He doesn't hesitate to express on current events and makes his written word echo. A big fan of school, Ben multiplies derivatives and editions and signs on pencil boxes, bags and diaries. This way, he is able to register his art in a conceptual dimension, which is within reach for everyday.

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Ben, Série de 6 assiettes en porcelaine, Ben série 1998, Design

Ben

Série de 6 assiettes en porcelaine, Ben série 1998, 1998 20.9 x 31.3 x 5.9 inch Design

$1,249

Ben, Cette porte mène ailleurs, Painting

Ben

Cette porte mène ailleurs, 1991 11.8 x 15.7 x 0.4 inch Painting

$6,243

Our recommendations Ben, De qué tienes miedo?, Print

Ben

De qué tienes miedo?, 2006 19.7 x 27.6 x 0.4 inch Print

$1,873

Ben, Life Is Competition, Print

Ben

Life Is Competition, 1992 24.8 x 35.4 x 0 inch Print

$1,550

Ben, Estoy inquieto, Print

Ben

Estoy inquieto, 2006 19.7 x 27.6 x 0.4 inch Print

$1,873

Our recommendations Ben, L'art est partout, Print

Ben

L'art est partout, 2019 22 x 29.9 inch Print

$3,122

Our recommendations Ben, J’ai pas assez de temps pour le passer à ramper, Painting

Ben

J’ai pas assez de temps pour le passer à ramper, 1998 18.1 x 21.7 x 0.4 inch Painting

$12,070

Ben, Mot d'amour, Print

Ben

Mot d'amour, 2019 22 x 29.9 inch Print

$2,601

Ben, Black Power, Print

Ben

Black Power, 1993 39.4 x 27.6 x 0 inch Print

$2,289

Ben, Cœur de châtaignier (ça pique), Painting

Ben

Cœur de châtaignier (ça pique), 1978 33.9 x 18.1 x 3.3 inch Painting

$13,527

Ben, Secret Défense, Painting

Ben

Secret Défense, 2000 13 x 17.7 x 0.8 inch Painting

$7,804

Ben, Regardez pas, Painting

Ben

Regardez pas, 2001 17.7 x 21.3 inch Painting

$10,405

Ben, L’instant présent, Print

Ben

L’instant présent, 2019 22 x 29.9 inch Print

$2,601

Ben, 12 Cercles qui se prennent pour de l'art, Painting

Ben

12 Cercles qui se prennent pour de l'art, 1991 29.9 x 24.2 x 0.4 inch Painting

$13,527

Ben, My Nose, Painting

Ben

My Nose, 1967 7.1 x 9.4 inch Painting

$14,568

Ben, Parfois j'ai l'impression d'être une serpillère, Painting

Ben

Parfois j'ai l'impression d'être une serpillère, 1987 22.4 x 17.3 x 3.5 inch Painting

$19,250

Ben, Faire Tourner, Painting

Ben

Faire Tourner, 1998 11.8 x 15.7 x 7.5 inch Painting

$8,845

Our recommendations Ben, Pourquoi écrire, Print

Ben

Pourquoi écrire, 2011 19.7 x 27.6 x 0.1 inch Print

$2,601

Ben, Pourquoi écrire, Print

Ben

Pourquoi écrire, 2012 19.7 x 27.6 x 0 inch Print

$2,591

Ben, Composition pour les JO, Print

Ben

Composition pour les JO, 1992 24.8 x 35.4 inch Print

Sold

Ben, La liberté de, Print

Ben

La liberté de, 2014 19.7 x 27.6 inch Print

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Ben, Is everything art ?, Print

Ben

Is everything art ?, 2015 19.7 x 19.7 inch Print

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Ben, Ich bin farben blind, Print

Ben

Ich bin farben blind, 1997 21.3 x 25.6 x 0.8 inch Print

Sold

Our recommendations Ben, Sans titre (La Faille), Painting

Ben

Sans titre (La Faille), 1996 7.1 x 10.2 x 0.4 inch Painting

Sold

Ben, No more art, Print

Ben

No more art, 1990 19.7 x 27.4 x 0.1 inch Print

Sold

Ben, Être libre, Print

Ben

Être libre, 2020 29.9 x 22 inch Print

Sold

Ben, N'achetez plus rien !, Fine Art Drawings

Ben

N'achetez plus rien !, 2005 13.8 x 9.6 inch Fine Art Drawings

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Ben, Je suis le dernier, Fine Art Drawings

Ben

Je suis le dernier, 2002 12.6 x 9.4 x 0.1 inch Fine Art Drawings

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Ben, Pas d’art sans désordre, Fine Art Drawings

Ben

Pas d’art sans désordre, 2003 12.2 x 9.4 x 0.1 inch Fine Art Drawings

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Ben, Je suis ce que je suis, Print

Ben

Je suis ce que je suis, 2016 22.4 x 30.3 inch Print

Sold

Ben, Le pouvoir aime se regarder dans son miroir, Print

Ben

Le pouvoir aime se regarder dans son miroir, 2012 19.7 x 27.6 inch Print

Sold

Ben, Boîte Mystère n°33, Sculpture

Ben

Boîte Mystère n°33, 1960 3.9 x 2.4 x 2.8 inch Sculpture

Sold

Ben, Belle, Painting

Ben

Belle, 2013 13 x 15.7 x 1.2 inch Painting

Sold

Ben, Nothing important, Painting

Ben

Nothing important, 2014 19.7 x 24 inch Painting

Sold

Ben, Libertà, Painting

Ben

Libertà, 1971 19.7 x 24 inch Painting

Sold

Ben, Personne sensible s'abstenir, Painting

Ben

Personne sensible s'abstenir, 2008 21.3 x 25.6 x 0.4 inch Painting

Sold

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Who is the artist?

Is everything art? A question which is tirelessly asked in History of art and by the artist, Ben. His real name Benjamin Vautier, born in Naples in 1934. His future will be built between Switzerland, Turkey and Egypt but also and mainly in France, as he moves to Nice.

He asks a lot of questions, mostly through his paintings. Famous for his written works, constantly affirming or questioning the world around us. In 1950, he opens a stall in Nice where he organizes exhibitions. This place quickly becomes a place for artists of the region to get together, who nourish the reflexion on art as a team.

Ben spends time with César, Martial Raysse and Arman. Together, they make up a group of artists and work on their quest for novelty and turn into the Ecole de Nice. They want to prolong the heritage of Marcel Duchamp and drive art into a corner, by walking on the footsteps of John Cage or the Dada movement.

Ben wrote his destiny in 1953 « Il faut manger, il faut dormir », with this simple and obvious paraphrase, he created his first "writing". To speak and question art in a better manner, he decides to write it down and put it in letters, through a visual writing. He initiates a step towards conceptual art, which isn't developed yet.

As a logical extension of his approach, Ben then focuses on the importance of the artist's signature in art. His first signature saw the light of the day in 1958. He just doesn't scribble on a piece of paper, no, he signs the world, everything on the move around him.

This way, his questions the concept of ego, of me, but also the idea of appropriation. These strong notions shake up the codes of art, just the way the artist wanted to. As for the art marker, Ben underlines the strength of the signature today, which is sometimes more important the art work itself.

It's going to be a tough task, making the world his but Ben doesn't give up. He signs in abundance, people in the streets, his friends, family and creates his first living sculptures in 1959. Through labeling his environment, Ben has the impression of linking life to art, and once again asks us if everything is possible in art and if everything makes up art.

The thought of appropriation goes through a lot of research until 1963. In the meantime, he joins the Fluxus group, which considers itself to be a non artistic movement and questions the status of the artist and the art work in society Games and humor predominates the group, and Ben's work will soon be influenced by this.

His handwritten punchlines in white with a black background resonate like true slogans. He doesn't hesitate to express on current events and makes his written word echo. A big fan of school, Ben multiplies derivatives and editions and signs on pencil boxes, bags and diaries. This way, he is able to register his art in a conceptual dimension, which is within reach for everyday.

What is Ben’s artistic movement?

The artistic movements of the artists are: Meaningful Typographies

When was Ben born?

The year of birth of the artist is: 1935