Bronze Sculpture for Sale
Entre deux eaux, 2026
Painting : acrylic · 100 x 40 x 2 cm 39.4 x 15.7 x 0.8 inch · Ready to hang
CHF 1,360
CHF 1,224
1 224 CHF
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 87
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the artist Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 40 x 2 cm 39.4 x 15.7 x 0.8 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
A male figure surrenders to rest. The body rests on a light surface. The face fades. The silhouette seems to sink into the material.
Blue dominates the upper part. Vertical streaks evoke rain or a curtain of water. This verticality contrasts with the horizontality of sleep.
The technique superimposes layers. The gesture remains visible. The painter plays with the balance between abstraction and figuration. The form slowly emerges from the strata of paint.
This work explores fragility. The subject oscillates between presence and disappearance. There is no imposed narrative. The image suggests a state of transition or a threshold.
The palette is limited to shades of blue, white, and gray. The light seems to come from above. The arm stretches downwards, guiding the gaze towards the artist's signature.
Presentation
Fanny Gueniot is a French visual artist who develops a practice crossing painting, drawing, and ceramics. Her pictorial and sculptural practice revolves around the figure, conceived not as a simple representation, but as a fragile apparition, in tension between presence and disappearance. Her works are constructed in a deliberately unstable balance between abstraction and figuration, leaving an essential place for the unfinished, for floating, and for the circulation of the gaze. Material occupies a central place in her work. She does not just seek to describe a form, but to bring it to emerge. The surfaces are constructed by successive strata, like deposits of memory where the gesture remains perceptible. This sensitive approach invites an experience of the gaze that is slow and attentive, where suggestion prevails over affirmation. The figures that appear in her works do not tell a story in the narrative sense. They present themselves as states, fragments, thresholds, leaving the viewer the freedom to build their own connections and interpretation.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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