Bronze Sculpture for Sale
Ancrage, 2026
Sculpture : ceramic · 16 x 13.5 x 11 cm 6.3 x 5.3 x 4.3 inch
CHF 954
954 CHF
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 58
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the artist Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
ceramic , without pedestal
Dimensions ( cm • inch )
16 x 13.5 x 11 cm 6.3 x 5.3 x 4.3 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
The ceramic bends and curves to compose an organic form. The deep blue dominates the material. It intensifies in the recesses and lightens on the reliefs.
The work of the earth evokes nature in its raw dimension. A vegetal imprint marks the surface. This detail brings a tactile precision to the whole.
The piece plays with volumes and voids. The walls intersect to create a closed movement. The glossy glaze catches the light.
The sculptural aspect transforms the object into a sensory exploration. The structure seems to capture a moment of natural growth.
The balance between the fluidity of the blue and the rigor of the earth defines the aesthetic of the object.
Presentation
Fanny Gueniot is a French visual artist who develops a practice crossing painting, drawing, and ceramics. Her pictorial and sculptural practice revolves around the figure, conceived not as a simple representation, but as a fragile apparition, in tension between presence and disappearance. Her works are constructed in a deliberately unstable balance between abstraction and figuration, leaving an essential place for the unfinished, for floating, and for the circulation of the gaze. Material occupies a central place in her work. She does not just seek to describe a form, but to bring it to emerge. The surfaces are constructed by successive strata, like deposits of memory where the gesture remains perceptible. This sensitive approach invites an experience of the gaze that is slow and attentive, where suggestion prevails over affirmation. The figures that appear in her works do not tell a story in the narrative sense. They present themselves as states, fragments, thresholds, leaving the viewer the freedom to build their own connections and interpretation.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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