L’instant, 2026
Fanny Gueniot  

Painting : acrylic · 60 x 80 x 2 cm 23.6 x 31.5 x 0.8 inch · Ready to hang

CHF 1,943 1 943 CHF

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Shipping & delivery

Shipped from: France

Delivery to: Switzerland , CHF 91

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

60 x 80 x 2 cm 23.6 x 31.5 x 0.8 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2026

Description

This painting explores the fragility of bonds and the softness of a shared moment. Three figures emerge from a composition where the raw material is primary. The artist works through successive layers. The gesture remains visible. It creates an unstable balance between figuration and abstraction.


The gaze circulates between the faces and the unfinished areas.  
The palette favors neutral and cool tones. Snow-white contrasts with shades of deep blue and ochre. The light seems to filter through a textured surface. The drips in the background add an organic dimension to the scene. The whole invites slow contemplation. The composition closes on a precise visual detail, marked by the artist's signature in the bottom right.

Portrait

Everyday life

Children

Family

Women

Faces

Beige

Black

Fanny Gueniot, L’instant

Fanny Gueniot

France  • 1987

Presentation

Fanny Gueniot is a French visual artist who develops a practice crossing painting, drawing, and ceramics. Her pictorial and sculptural practice revolves around the figure, conceived not as a simple representation, but as a fragile apparition, in tension between presence and disappearance. Her works are constructed in a deliberately unstable balance between abstraction and figuration, leaving an essential place for the unfinished, for floating, and for the circulation of the gaze. Material occupies a central place in her work. She does not just seek to describe a form, but to bring it to emerge. The surfaces are constructed by successive strata, like deposits of memory where the gesture remains perceptible. This sensitive approach invites an experience of the gaze that is slow and attentive, where suggestion prevails over affirmation. The figures that appear in her works do not tell a story in the narrative sense. They present themselves as states, fragments, thresholds, leaving the viewer the freedom to build their own connections and interpretation.

Reviews from our customers

All our reviews are extracted from Verified Reviews

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