There Must Have Been an Angel by My Side, 2022
Painting : acrylic, charcoal · 65 x 54 x 3 cm 25.6 x 21.3 x 1.2 inch · Ready to hang
CHF 6,260
6 260 CHF
Delivered in time for Christmas
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Shipped from: Portugal
Delivery to: Switzerland Free delivery
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
65 x 54 x 3 cm 25.6 x 21.3 x 1.2 inch Height x Width x Depth
Artwork dimensions including frame
67 x 56 x 5 cm 26.4 x 22 x 2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2022 • Top Seller
Description
"There Must Have Been an Angel by My Side" is a charcoal and acrylic painting on canvas by Brazilian contemporary artist Ritchelly Oliveira.
The work presents a closely framed monochromatic portrait in which a figure rests their face between both hands. An arrangement of flowers extends across the face, partially concealing the eyes and forehead while contrasting with the dark silhouette of the figure.
Oliveira combines detailed figurative drawing with botanical imagery, using variations of black, white and gray to distinguish skin, flowers and areas of shadow. The hands become an important part of the composition, enclosing the face and reinforcing its intimate character.
The poetic title introduces the idea of an unseen presence without determining a single interpretation of the image, leaving the relationship between the figure and surrounding flowers deliberately open.
Signed, titled and dated on the reverse.
Presentation
Ritchelly Oliveira, visual artist, began his work in 2012, shortly after enrolling in visual arts at the Federal University of Goiás (UFG), he found in the human figure a space to present his speech about what he understands most profoundly present in affective relationships. He talks about what he suspects to be love and, believing it to be a universal feeling. It proposes what is common to men, even knowing that this love brings something that is also individual and particular.
Believing that affective relationships are built from the individual and how their surroundings interfere with them, we try to rescue here the possibility of constructing discourses about love, especially black love. The importance of reflecting together on issues such as sexuality, emotional responsibility and colorism are necessary canons in this invitation to embrace the dangerous and exclusionary ideals of romantic love that circulate in our environments.
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