Bronze Sculpture for Sale
Residual Fragment 3, 2026
Painting : oil, acrylic, Textiles · 23 x 17 x 3 cm 9.1 x 6.7 x 1.2 inch
£620
620 £GB
Shipping & delivery
Shipped from: Georgia
Delivery to: United Kingdom , £ 69
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
23 x 17 x 3 cm 9.1 x 6.7 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
Acrylic, oil, pigment & paper on Soviet-era biazi fabric
Deep indigo tones dominate this evocative composition. The surface breathes with a heavy, atmospheric weight. A central light source emerges like a fading memory. Pale yellows and ethereal whites clash with an omnipresent darkness. The artist utilizes a unique foundation of reclaimed Soviet-era biazi cotton. This fabric transforms the artwork into a physical archive. Layers of oil and acrylic bleed into the textile. The process suggests an act of erasure. Subtle architectural lines intersect the organic washes. These geometric traces recall the artist's training in structure and space. The result is a meditation on post-socialist radiation. It explores the psychological remnants of a vanished era. Material history merges with contemporary abstraction. Each wash and peel reveals a hidden narrative of disappearance. The composition balances between transparency and opacity. A solitary silhouette floats within the luminous center. The edges dissolve into an abyssal blue. The texture remains tactile and raw. This piece captures the tension between permanence and decay through the use of domestic textiles.
Presentation
Born in 1995 in Zugdidi, Georgia, Gela Mikava is a Georgian contemporary artist who lives and works in Tbilisi. Trained as an architect, he received his BA in Architecture from Georgian Technical University in 2018 and completed his MA in 2021. His artistic practice developed at the intersection of painting, material research, and installation, exploring the relationship between personal and collective memory, material history, and contemporary experience.
A distinctive element of Mikava's practice is his use of authentic Soviet-era biazi cotton fabric, reclaimed from old domestic interiors. Previously used as ceiling covering in Soviet-period homes, the fabric is carefully removed, cleaned, and transformed into a surface for painting. For the artist, this material functions as a form of archive, carrying traces of domestic life, time, use, and disappearance before becoming part of the artwork.
Mikava's practice is closely connected to his concept of “Post-Socialist Radiation," through which he examines the subtle psychological and aesthetic traces of Soviet ideology that continue to exist within contemporary life. Working across painting, textile, collage, and installation, he employs processes of layering, absorption, washing, peeling, obscuring, and erasure to explore how memory can remain embedded within materials and surfaces.
His projects include *The Bijouterie*, *Post-Alienation*, *Infanta Destruction*, *Predators & Herbivores*, *Artificial Flowers*, and *What Remains of Gesture*. His work has been presented internationally in Europe and the United States, including a solo exhibition *It is Heard — The Silence, I See — Nothing* in Atlanta in 2024. His work has also been presented at art fairs and exhibitions in London and is held in private and institutional collections, including the Lester Marks Collection.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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