#15 From the series "Be, and it is", 2024
Print : etching · 53 x 40 x 1 cm 20.9 x 15.7 x 0.4 inch
CHF 388
388 CHF
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Shipped from: France
Delivery to: Switzerland , CHF 35
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 5 copies
2 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
53 x 40 x 1 cm 20.9 x 15.7 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
A rigorous architectural structure frames this black and white composition. The line, sharp and precise, draws a brick wall organized into several compartments.
In the center, a lobed arch reveals a mysterious silhouette. This organic shape seems to emerge from a white horizon, creating a strong contrast with the density of the surrounding pattern.
On the right, three vertical openings present distinct details. A stylized fruit occupies the upper part, while dense vegetation fills the second frame. At the bottom, a serpentine shape undulates with fluidity.
The lower register is distinguished by a checkered geometric pattern, bringing visual balance to the whole.
The use of etching allows for great finesse in the hatching and textures here. This 2024 realization plays on repetition and symmetry to build an imaginary space. The balance between areas of void and fullness guides the eye through these symbolic windows. Each graphic detail reinforces the sensation of stability and ritual. The technical execution emphasizes the precision of the line on paper.
Presentation
Born in Isfahan, Iran, in 1983, Mojdeh Atrak is a Tehran-based artist whose work is rooted in personal experience and emotional depth.
Though her academic background is in English Translation and Interior Architecture, Atrak turned to art in 2013 after four years of intensive study in art history and mentorship with leading scholars.
Her early works include A Gate to the Inner World, a series of large-scale iris paintings, and My Melancholic Heart, bronze sculptures exploring inner states. With Dopamine, she directly addressed her experience with depression, translating neurochemical and environmental influences into vibrant canvases.
Her Knots series, intricate pen drawings on cardboard and silk, became a four-year meditative process. Tragically, much of the work was stolen before its exhibition. This loss gave rise to Not Knots, No More, a performance where she tied 1400 meters of white rope into knots and invited the public to help untangle them, an act of communal healing.
She later restored damaged Knots pieces using gold thread, inspired by Kintsugi.
During the Woman, Life, Freedom movement, she created a video performance involving strangers retying and untying a knotted rope, symbolizing resistance and solidarity.
Atrak continues to explore new forms through linocut prints and ceramic sculpture, deepening a practice anchored in resilience, ritual, and transformation.
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