#12 From the series "Be, and it is", 2024
Print : etching · 52 x 40 x 1 cm 20.5 x 15.7 x 0.4 inch
€400
400 €
Shipping & delivery
Shipped from: France
Delivery to: Italy , € 36
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 5 copies
2 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
52 x 40 x 1 cm 20.5 x 15.7 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
This 2024 etching captures a dialogue between geometric rigor and organic forms.
The radical contrast of black and white structures the space with precision.
A strict brick wall frames two distinct windows.
One reveals the detailed silhouette of a tree whose trunk rises powerfully against a dark background.
The other opens onto an abstract landscape, almost mineral, where textures intertwine in tight waves.
The graphic play continues at the bottom of the composition.
A checkerboard border rhythms the base, bringing visual stability to the whole.
The repetition of lines and motifs creates a controlled tension between confinement and escape.
The fine and precise line testifies to patient work on the material.
The work thus explores the duality between architectural order and natural chaos.
The final rendering emphasizes the depth of the deep blacks characteristic of the engraving technique.
Presentation
Born in Isfahan, Iran, in 1983, Mojdeh Atrak is a Tehran-based artist whose work is rooted in personal experience and emotional depth.
Though her academic background is in English Translation and Interior Architecture, Atrak turned to art in 2013 after four years of intensive study in art history and mentorship with leading scholars.
Her early works include A Gate to the Inner World, a series of large-scale iris paintings, and My Melancholic Heart, bronze sculptures exploring inner states. With Dopamine, she directly addressed her experience with depression, translating neurochemical and environmental influences into vibrant canvases.
Her Knots series, intricate pen drawings on cardboard and silk, became a four-year meditative process. Tragically, much of the work was stolen before its exhibition. This loss gave rise to Not Knots, No More, a performance where she tied 1400 meters of white rope into knots and invited the public to help untangle them, an act of communal healing.
She later restored damaged Knots pieces using gold thread, inspired by Kintsugi.
During the Woman, Life, Freedom movement, she created a video performance involving strangers retying and untying a knotted rope, symbolizing resistance and solidarity.
Atrak continues to explore new forms through linocut prints and ceramic sculpture, deepening a practice anchored in resilience, ritual, and transformation.
Discover similar artists
Reviews from our customers
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