Creación VI, 1984
Print : aquatint, etching · 53 x 38 cm 20.9 x 15 inch
$465
465 $US
Delivered in time for Christmas
One of the last works available by this artist
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Shipped from: Spain
Delivery to: United States , $ 70
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 225 copies
2 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
53 x 38 cm 20.9 x 15 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Creacion VI, an etching with aquatint of 1984 by Eduardo Naranjo (Monesterio, Badajoz, born 1944), on a sheet of 53 by 38 cm, in an edition of two hundred and twenty-five. Naranjo is among the most technically accomplished representatives of Spanish magic realism, a painter and printmaker whose work combines meticulous academic drawing with imagery of dream, memory and transformation drawn from the surrealist inheritance. The roman numeral indicates membership of a Creacion sequence. Etching and aquatint together give him the two things the imagery requires: an incisive contour capable of describing anatomy exactly, and a tonal ground deep enough to dissolve that contour into shadow. Naranjo has worked with Spanish workshops throughout his career. No exhibition or bibliographic history for the sheet could be established from the available material.
Presentation
Eduardo Naranjo (born 1944 in Monesterio, Badajoz) is a Spanish painter and engraver, considered one of the foremost representatives of contemporary dreamlike magical realism, a style never lacking in enormous realism, beauty and poetry. A gifted artist from a very early age, in 1979, after his acclaimed exhibition at Galería Biosca, he was named "Best Visual Artist of the Year" by Blanco y Negro magazine. His 1993 retrospective at the Centro Cultural de la Villa in Madrid was visited by almost 250,000 people of many nationalities. In 1981, through his participation in the book "Constitución Española, 1978", he resumed his work as an engraver, which he has since alternated with painting. Among his many prints, the seven of "El Génesis" (1983-85) and the thirteen for Federico García Lorca's "Poeta en Nueva York" stand out and are known around the world. He has also worked in the theatre, collaborating on Lorca's "La casa de Bernarda Alba" with José Carlos Plaza at the Teatro Español, and on "Hazme de la noche un cuento" by Jorge Márquez, directed by Manuel Collado at the Teatro Bellas Artes. An artist who stands apart from fashion, with very few solo shows but a presence in countless group exhibitions alongside other great contemporaries, he is among the most prestigious and sought-after of his generation. His solo exhibitions include Galería Loring in Madrid (1971 and 1972), Biosca (1979), Galería Punto in Valencia (1980), the Centro Cultural de la Villa (1993), Leandro Navarro in Madrid (1999), several cities in Galicia (2000), and in 2002 Córdoba, Seville and the Museo de Bellas Artes in Badajoz.
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