La Ira I (siete pecados capitales), 2015
Print : aquatint, etching · 79 x 39.5 cm 31.1 x 15.6 inch
€440
440 €
Delivered in time for Christmas
One of the last works available by this artist
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Shipped from: Spain
Delivery to: Germany , € 53
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 70 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
79 x 39.5 cm 31.1 x 15.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
La Ira I (Wrath I) is a 2015 etching and aquatint from the series Siete Pecados Capitales (The Seven Deadly Sins) by Javier de Juan (Madrid, 1958), who emerged within the creative scene of the Madrid Movida and has developed a vibrant figurative language across painting, printmaking and illustration. Rather than a monstrous allegory, de Juan embodies Wrath in a contemporary woman. She sits on a high stool, facing the viewer, in a tight black dress with white polka dots, her dark hair gathered up, with large hoop earrings and bangles at her wrist. One hand rests on her hip, the other on her knee; her chin is raised and her gaze fixed, in a posture of contained defiance. The tall, narrow format emphasises her upright presence. The drawing combines de Juan's characteristic bold black line with warm sepia aquatint washes for the skin and the reserved whites of the paper for the dots, so that a few means create a vivid, almost theatrical figure. The series reinterprets a classical moral theme, familiar from medieval and Renaissance art, through the language of the street and of popular culture, where the sins become recognisable human attitudes. The edition comprises 70 impressions, numbered and hand-signed by the artist.
Presentation
Javier de Juan was born in 1958, he lives and works in Madrid where he studied architecture. Before he got settled there, the artist traveled a lot and discovered several cities like Paris, Essaouira, Marrakesh, New York, Mallorca, Caracas, Murcia and Cairo.
Javier is particularly interested by the city, its architecture, progress and the inhabitants. He transposes this through many techniques (drawing, painting, installation, engraving, printing, video and cinema). The artist tries to involve the public as much as possible and broadcast his artistic work.
In the 90's, he moved to Mallorca where he developed a more personal and symbolic work which helped him express his own ideas. This encouraged him to use large formats, on which he portrays chaos and infinitude of the world. His move to Muricia, far from the urban life made him create more introspective work, and this needed reflection.
He doesn't follow any trend or fashion and is therefore appreciated for this, in fact he shows his own viewpoint. He was awarded the National prize for engraving and received a grant from the Marbella museum. When he came back to Madrid, Juan focused on wooden, paper and fabric collages, working with new mediums and new technology.
During the 2000's, he began 3D work on collective memory, using his own symbolic elements and language. In 2003, his work went through an important retrospective in Mallorca. He began his first video editing in 2004, his personal testimony on new technologies, which guided him to make movies gradually. In 2008, he mainly created visuals like 3D animations. Recently, he has once again turned towards the object and has begun to manipulate photos.
His work is particularly appreciated by galleries and international institutions like Telefonica Foundation, Lidner Foundation, Dusseldorf Collection of the Teatro Real Madrid, Contemporary art museum in Madrid.
Javier is particularly interested by the city, its architecture, progress and the inhabitants. He transposes this through many techniques (drawing, painting, installation, engraving, printing, video and cinema). The artist tries to involve the public as much as possible and broadcast his artistic work.
In the 90's, he moved to Mallorca where he developed a more personal and symbolic work which helped him express his own ideas. This encouraged him to use large formats, on which he portrays chaos and infinitude of the world. His move to Muricia, far from the urban life made him create more introspective work, and this needed reflection.
He doesn't follow any trend or fashion and is therefore appreciated for this, in fact he shows his own viewpoint. He was awarded the National prize for engraving and received a grant from the Marbella museum. When he came back to Madrid, Juan focused on wooden, paper and fabric collages, working with new mediums and new technology.
During the 2000's, he began 3D work on collective memory, using his own symbolic elements and language. In 2003, his work went through an important retrospective in Mallorca. He began his first video editing in 2004, his personal testimony on new technologies, which guided him to make movies gradually. In 2008, he mainly created visuals like 3D animations. Recently, he has once again turned towards the object and has begun to manipulate photos.
His work is particularly appreciated by galleries and international institutions like Telefonica Foundation, Lidner Foundation, Dusseldorf Collection of the Teatro Real Madrid, Contemporary art museum in Madrid.
Reviews from our customers
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