Tiempo de blues, 2000
Print : Screen Print · 120 x 80 cm 47.2 x 31.5 inch
$558
558 $US
Delivered in time for Christmas
One of the last works available by this artist
Shipping & delivery
Shipped from: Spain
Delivery to: United States , $ 70
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 45 copies
2 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
120 x 80 cm 47.2 x 31.5 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Tiempo de blues (Blues Time) is a large-format screenprint by Javier de Juan (Madrid, 1958), evoking the world of blues music. De Juan emerged within the creative scene of the Madrid Movida and has developed a vibrant figurative language across painting, printmaking and illustration, in which music and the female figure are constant themes. A singer with bright orange hair crowned by a red flower throws her head back, eyes closed and mouth open in song, one arm raised behind her head and the other on her hip, her body bent in a sensual, rhythmic pose. She wears a white slip dress dotted with red and red shoes, and stands before a great orange sun that rises behind her like a stage light. The words 'TIEMPO DE BLUES' arch in blue letters around her head. The figure is set on a torn-paper shape of warm beige, against which the strong, flat colours of the screenprint stand out, while crayon-like textures in orange and red mark the ground at her feet. Drawn with a free, rhythmic line, the image celebrates music as a physical, joyful experience, in which the body itself becomes rhythm. At 120 x 80 cm, the sheet has the impact of a poster or a mural. The edition comprises 45 impressions, numbered and hand-signed by the artist.
Presentation
Javier de Juan was born in 1958, he lives and works in Madrid where he studied architecture. Before he got settled there, the artist traveled a lot and discovered several cities like Paris, Essaouira, Marrakesh, New York, Mallorca, Caracas, Murcia and Cairo.
Javier is particularly interested by the city, its architecture, progress and the inhabitants. He transposes this through many techniques (drawing, painting, installation, engraving, printing, video and cinema). The artist tries to involve the public as much as possible and broadcast his artistic work.
In the 90's, he moved to Mallorca where he developed a more personal and symbolic work which helped him express his own ideas. This encouraged him to use large formats, on which he portrays chaos and infinitude of the world. His move to Muricia, far from the urban life made him create more introspective work, and this needed reflection.
He doesn't follow any trend or fashion and is therefore appreciated for this, in fact he shows his own viewpoint. He was awarded the National prize for engraving and received a grant from the Marbella museum. When he came back to Madrid, Juan focused on wooden, paper and fabric collages, working with new mediums and new technology.
During the 2000's, he began 3D work on collective memory, using his own symbolic elements and language. In 2003, his work went through an important retrospective in Mallorca. He began his first video editing in 2004, his personal testimony on new technologies, which guided him to make movies gradually. In 2008, he mainly created visuals like 3D animations. Recently, he has once again turned towards the object and has begun to manipulate photos.
His work is particularly appreciated by galleries and international institutions like Telefonica Foundation, Lidner Foundation, Dusseldorf Collection of the Teatro Real Madrid, Contemporary art museum in Madrid.
Javier is particularly interested by the city, its architecture, progress and the inhabitants. He transposes this through many techniques (drawing, painting, installation, engraving, printing, video and cinema). The artist tries to involve the public as much as possible and broadcast his artistic work.
In the 90's, he moved to Mallorca where he developed a more personal and symbolic work which helped him express his own ideas. This encouraged him to use large formats, on which he portrays chaos and infinitude of the world. His move to Muricia, far from the urban life made him create more introspective work, and this needed reflection.
He doesn't follow any trend or fashion and is therefore appreciated for this, in fact he shows his own viewpoint. He was awarded the National prize for engraving and received a grant from the Marbella museum. When he came back to Madrid, Juan focused on wooden, paper and fabric collages, working with new mediums and new technology.
During the 2000's, he began 3D work on collective memory, using his own symbolic elements and language. In 2003, his work went through an important retrospective in Mallorca. He began his first video editing in 2004, his personal testimony on new technologies, which guided him to make movies gradually. In 2008, he mainly created visuals like 3D animations. Recently, he has once again turned towards the object and has begun to manipulate photos.
His work is particularly appreciated by galleries and international institutions like Telefonica Foundation, Lidner Foundation, Dusseldorf Collection of the Teatro Real Madrid, Contemporary art museum in Madrid.
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