Forest spells, 2016
Izabella Ortiz

Painting : ink, Water

29 x 29 cm 11.4 x 11.4 inch

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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

29 x 29 cm 11.4 x 11.4 inch Height x Width x Depth

Framing

Not framed


Tags

Artwork sold in perfect condition

Artwork location: France

My painting is a mixed painting: Franco-Colombian by my father, Australian by my mother; my triple culture permeates my painting. Having lived, as a child, in Australia (2 years), then in Alaska (2 years), I was crossed by the myths, tales and legends inuit, aborigines, Amerindians: I made a kind of “melting pot”. to create my own mythology, which appears in the figures of my automatic drawings. The infinite ribs, synapses, alveoli, which we find in my works echo my lung disease, after which I became a self-taught painter, late in 2009. Also, the multitudes of dots, of fine lines which overlap, become entangled, intertwined like so many rootlets, rhizomes, roots symbolically transpose my desire for roots, my crossbreeding… through my weavings.
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About the seller

Galerie Polysémie • France

Artsper seller since 2013

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Imagine it at home

Izabella Ortiz, Forest spells
France  • 1964

Presentation

My mother is Australian and my father French-Colombian and, as a child I lived in France, in Australia and also in Alaska. My painting is impregnated by Inuit, Aboriginal and Indian myths, tales and legends...

It came to life in an unexpected way. One evening in 2009, like a sleepwalker I grabbed a painting I had at home and painted over it. Since then I have been producing in a compulsive way...

This «trance painting» loomed up after a lung illness and has become vital to me.

I have become what I am.

Most titles contain the word «dream» because for me, our roots grow in our dreams...

My dreams are my capacity of transcending everything I intercept, absorb, everything that impregnates me for me to better spill it all out when creating.

All my paintings are «automatic» and therefore, take life directly on the paper: forms and

materials whisper to me what to do...

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