Flowering pointview (Vertical version)- Amalfi seaside & frame, 2024
Gianni Di Guida

Painting : oil, acrylic

50 x 40 x 2 cm 19.7 x 15.7 x 0.8 inch

€500
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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

50 x 40 x 2 cm 19.7 x 15.7 x 0.8 inch Height x Width x Depth

Framing

Frame

Artwork dimensions including frame

70 x 60 x 5 cm 27.6 x 23.6 x 2 inch


Tags

Landscape

Seascape

Italy

Mediterranean

Sea

Landscape

City

Artwork sold in perfect condition

Artwork location: Italy

Included : Baroque gold frame whit small passepartout (no glass)

Original impressionist painting oil/acrylic on canvas Italian painter Gianni Di Guida ( Vico Equense - Naples 1965 ).

The painting is available unframed in another listing of our shop

Shipping by Fedex,UPS,DHL express from Italy

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About the seller

Professional art gallery • Italy

Artsper seller since 2023

Vetted Seller


Imagine it at home

Gianni Di Guida, Flowering pointview (Vertical version)- Amalfi seaside & frame
Italy  • 1965

Presentation

Gianni Di Guida born in Vico Equense, in the province of Naples, in 1965 and lives and works in the same place. He graduated from the Sorrento Art Institute. Gianni Di Guida approaches the figurative representation of truth on the basis and suggestion of the great Neapolitan tradition of the realist school.

In particular, his artistic references are the Casciaro family.Brancaccio, Pratella and Irolli. However Di Guida does not accept to be a simple follower of these great masters of the past - which is no small feat, however, if the quality of the work were, as in the case of our painter, at the level of the masters - but tries his own way , a personalization of his work also in the wake, never hidden and never denied the lesson of the ancient referents: He continues to study nature - inexhaustible dispenser of suggestions, stimuli, suggestions and, also, of constraints that prevent the flattening and homogenization of painting, a disease that characterizes (and mortifies) the contemporary artistic expression - that of figuration - of a large number of "workshop" painters.

Fortunately, Gianni Di Guida is still today, equipped with an easel with shoulder strap and a box of colors, to move, in the rural or coastal nature or in the urban context, preferably historical, in search of the theme to be portrayed and of

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