
Untitled III. From the Durero series
Ana Seggiaro
Painting - 119.9 x 99.8 x 0.3 cm Painting - 47.2 x 39.3 x 0.1 inch
$2,500
Painting : paper, cotton, embroidery
95.8 x 49.8 x 0.3 cm 37.7 x 19.6 x 0.1 inch
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Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Dimensions cm • inch
95.8 x 49.8 x 0.3 cm 37.7 x 19.6 x 0.1 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: Argentina
This intriguing triptych artwork creatively merges musical notations with abstract elements and textual overlays. The top panel features a classical music sheet interspersed with handwritten Spanish text in bold, diverse colors, adding a layer of narrative tension. The middle panel contrasts dramatically, with yarn-like circular motifs—one white, one black—stitched onto the sheet, symbolizing duality and balance. The lower panel's music notes are interconnected with strings, creating a visual representation of harmony and discord. The artist ingeniously blurs the boundaries between music and visual art, using embroidery and text to subvert traditional notational systems, inviting a multimedia interpretation. This work challenges viewers to reconsider the relationship between music, language, and visual aesthetics, offering a rich tapestry of cultural and sensory exploration.
From the series Partituras- Embroidery on paper
Overall size: 96 cm H x 50 cm W Individual size: 32 cm H x 50 cm W Unframed
Seggiaro is part of the textile field in an unconventional way, from a non-technical but expressive approach. In exchange, he obtains freedom of action from the needle that allows him to tie, knot, leave half-sewn stitches, and generate volume through the thread. In this way, she makes use of non-traditional uses of embroidery that respond to a more plastic than textile thought.
About the seller
The Art Design Project - Art Gallery • United States
Artsper seller since 2019
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Tending relations between geographically distant cultures and, at the same time, stressing the temporal gap that separates them, is the meaning of Ana Seggiaro's work, based on the engravings of Alberto Dürer, Piranesi and Albinus.
For the artist, European art is the paradigm that she has built, from that training she has resignified her works, submitting them to her consideration and leaving an embroidered mark that marks a different path from the one originally created.
In the process of creation, she takes the images that interest her, investigates its history, answers questions such as what the artist wanted to say or if she simply made it by chance. The next thing is to photograph it and modify it digitally, either by adding color or removing details to create a collage. Once the final image has been decided, a print is made on fine art canvas to begin the hand embroidery process. In the last year, in addition to embroidering, she has decided to paint over the image.
Ana Seggiaro was born in Buenos Aires, Argentina. Initially pictorial in nature, in its different stages, her work was exploring and incorporating new materials and media that complemented the oil and engraving that are the basis of its origin. She graduated in drawing and engraving from the Prilidiano Pueyrredón National School of Fine Arts in 1988.
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