The Toaster,
1991
Gianni Cacciarini
Painting : oil, tempera, Wire
50 x 70 x 0.5 cm 19.7 x 27.6 x 0.2 inch
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
50 x 70 x 0.5 cm 19.7 x 27.6 x 0.2 inch Height x Width x Depth
Framing
Beige wood frame
Artwork dimensions including frame
60 x 80 x 1 cm 23.6 x 31.5 x 0.4 inch
Tags
Artwork sold in perfect condition
Artwork location: Italy
The Toaster is an original modern artwork realized in 1991 by Gianni Cacciarini.
Original oil and tempera on wood. Frame is included (cm 60 x 80).
Hand-signed on the lower right corner: Gianni Cacciarini.
Very beautiful and fresh iper-realistic work depicting a toaster with a mug in the foreground. The work is a typical representation of Gianni Cacciarini realized with a very beautiful technique: an oily tempera on wood table. The work is interesting for the shapes of the objects and the representation of the still life. A red rose is also present between the toaster and the mug.
The work has been realized by the Italian artist Gianni Cacciarini (Florence, 1941). In 1973 he realized a folder of six engravings - "The screws" - presented at the gallery of the antiquarian Giovanni Conti, where the artist's first contact with the public takes place. To the activity of engraver, for which he gets the first recognitions Cacciarini approaches now the study of the painting, under the "discreet and affectionate" guide of Annigoni. Maria Pia Gonnelli, in January 1978, will offer Cacciarini the first opportunity to exhibit the engravings in a solo show, at the Antiquarian Bookshop: in addition to the Viti and the Fabbriche, there are the first still lifes and urban views. From the trip to England in 1978, performed together with his friend Roberto Coppini, the English Suite was born, composed of poems by Coppini and four etchings by Nostro, which do not 'illustrate' those texts inspired by landscapes. In 1980 the moment of the first painting exhibition arrived. The scenarios that Gianni creates with objects live in the atmospheres of places that were highly evocative. But in 1985 Cacciarini dedicated himself with passion to another "work": the restructuring, together with Daniele Cariani, of the rooms on the ground floor of the Visacci-Guicciardini palace in Borgo degli Albizi.
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Original oil and tempera on wood. Frame is included (cm 60 x 80).
Hand-signed on the lower right corner: Gianni Cacciarini.
Very beautiful and fresh iper-realistic work depicting a toaster with a mug in the foreground. The work is a typical representation of Gianni Cacciarini realized with a very beautiful technique: an oily tempera on wood table. The work is interesting for the shapes of the objects and the representation of the still life. A red rose is also present between the toaster and the mug.
The work has been realized by the Italian artist Gianni Cacciarini (Florence, 1941). In 1973 he realized a folder of six engravings - "The screws" - presented at the gallery of the antiquarian Giovanni Conti, where the artist's first contact with the public takes place. To the activity of engraver, for which he gets the first recognitions Cacciarini approaches now the study of the painting, under the "discreet and affectionate" guide of Annigoni. Maria Pia Gonnelli, in January 1978, will offer Cacciarini the first opportunity to exhibit the engravings in a solo show, at the Antiquarian Bookshop: in addition to the Viti and the Fabbriche, there are the first still lifes and urban views. From the trip to England in 1978, performed together with his friend Roberto Coppini, the English Suite was born, composed of poems by Coppini and four etchings by Nostro, which do not 'illustrate' those texts inspired by landscapes. In 1980 the moment of the first painting exhibition arrived. The scenarios that Gianni creates with objects live in the atmospheres of places that were highly evocative. But in 1985 Cacciarini dedicated himself with passion to another "work": the restructuring, together with Daniele Cariani, of the rooms on the ground floor of the Visacci-Guicciardini palace in Borgo degli Albizi.
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