Rajgo, 2021
Luc Arrignon  

Painting : acrylic, ink, collage · 110 x 100 x 4.5 cm 43.3 x 39.4 x 1.8 inch

€1,760 1 760 €
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Shipped from: France

Delivery to: Germany , € 200

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

110 x 100 x 4.5 cm 43.3 x 39.4 x 1.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2017 • Top Seller

Description

Acrylic, inks on canvas, and pine wood for the uprights, on oak wood for the mobile.

This abstract composition explores matter through dense superposition. The gesture is expressed here by accumulation. The artist fragments space with a generous application of acrylic paint and ink.

The background unfolds into a complex network of colors. Blue and red tones intertwine in a rhythmic movement. This chromatic saturation creates a tactile depth.

The use of collage brings an additional relief. The technique recalls the approach of over-calligraphy where the sign disappears under repetition.

Realized in 2021, this piece testifies to a research on pure form. The final rendering alternates between transparency and opacity. The whole ends with precise graphic details and traces of raw pigments.

Abstract

Colors

Sky blue

Red

Luc Arrignon, Rajgo

Luc Arrignon

France  • 1952

Presentation

Luc Arrignon alias Lucky Loco is a French artist who lives and works in Fontenay-sous-Bois, France. Until 1995, the artist was invested in hyperrealism which allowed him meticulous observation and rigorous execution. Spontaneity was reduced to the initial conception of his work. Passionate about writing after a brief stint in lithography, Luc switched to calligraphy because of the gestures it involves. 

In the relationship between meaning and its forms, he decided to explore the form further in 1998. It has not left him to this day. This is how he paints by "Over-Calligraphing". He works mainly on two mediums. The wood he sculpts in bas-relief by over-calligraphing it with his sculptures. For 5 years, his work of sculpture has really taken off. Finally, the tarpaulin due to the installation of his workshop at the Foundry, an artistic center in Fontenay-sous-Bois. His approach requires him to be able to overwrite hundreds or even thousands of times. 

In addition to the gouges, chisels, brushes, reeds, pens and inks, he uses a "Digital Piano", two large screens, an excellent computer equipped with good software, connected to a powerful "plotter" which allows him to print large formats on quality tarpaulin. His work is thus durable, resistant to UVs, frost and rain. It is a flame-retardant work. He the creates unique digital proofs on which he intervenes again with ink, pencil and acrylic paint. Often, it surmounts some of them with carved wood and sometimes mobile folding's.

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