Bronze Sculpture for Sale
Sculpture : acrylic · 57 x 172 x 22 cm 22.4 x 67.7 x 8.7 inch
Shipped from: France
Delivery to: Switzerland , CHF 151
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
acrylic , without pedestal
Dimensions ( cm • inch )
57 x 172 x 22 cm 22.4 x 67.7 x 8.7 inch Height x Width x Depth
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Bamboo, twine, Angeline wood, sisal, cedar plank, all over-painted acrylic.
This sculpture explores balance and tension. Two elongated figures stand on organic pedestals. They seem to watch over a fragile passage. A woven textile link connects the two pillars in a suspended movement.
The raw material dialogues with the finesse of the silhouettes. The contrast between the dark base and the light fibers emphasizes the lightness of the composition. Each element is arranged with precision to create a visual rhythm.
The whole evokes an imaginary bridge or an ancestral rite. The verticality of the figures brings a spiritual dimension to the scene. The work on textures varies between the roughness of the support and the suppleness of the links.
The work rests on a black rectangular platform. The natural fibers are scattered freely around the structures. The raised arms of the figures accentuate the openness towards the top. This installation plays on the symmetry and the fragility of the materials used.
Luc Arrignon alias Lucky Loco is a French artist who lives and works in Fontenay-sous-Bois, France. Until 1995, the artist was invested in hyperrealism which allowed him meticulous observation and rigorous execution. Spontaneity was reduced to the initial conception of his work. Passionate about writing after a brief stint in lithography, Luc switched to calligraphy because of the gestures it involves.
In the relationship between meaning and its forms, he decided to explore the form further in 1998. It has not left him to this day. This is how he paints by "Over-Calligraphing". He works mainly on two mediums. The wood he sculpts in bas-relief by over-calligraphing it with his sculptures. For 5 years, his work of sculpture has really taken off. Finally, the tarpaulin due to the installation of his workshop at the Foundry, an artistic center in Fontenay-sous-Bois. His approach requires him to be able to overwrite hundreds or even thousands of times.
In addition to the gouges, chisels, brushes, reeds, pens and inks, he uses a "Digital Piano", two large screens, an excellent computer equipped with good software, connected to a powerful "plotter" which allows him to print large formats on quality tarpaulin. His work is thus durable, resistant to UVs, frost and rain. It is a flame-retardant work. He the creates unique digital proofs on which he intervenes again with ink, pencil and acrylic paint. Often, it surmounts some of them with carved wood and sometimes mobile folding's.
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