Born in 1978 - Spain
biography under completion
Mirian Herráez (Madrid, 1978) Graduated in Fine Arts and Economics from the Universidad Complutense de Madrid, specializing in painting. "I need to live in different worlds to carry out my artistic work, I transmit what I feel" City scenes, urban landscapes, open spaces or interiors, the objective is to analyze the situation of the individual in his daily routine, to treat the dehumanization of The cities, the solitude, the impact of the media in an environment where the artificial constructions interior or exterior from the architectural prism are represented. Works done with mixed media that capture the information of the medium with transfer showing subliminal messages that are reinforced with arid textures of various types of loads (marble, pumice) and graphic elements (pencils, felt-tip pens) showing hardness and fragility along with chaos And calms, creates an infinite and unfinished vision of the city in which the primordial are the individuals, for it is played with the vanishing points of our vision, the deconstruction of buildings and the artificiality offered by working with acrylics built by the artist As well as primal or pure pigment. Urban Nature, analysis of the individual's need to escape, to flee to infinite places where we can be ourselves, even without knowing what it implies. Rigid, acrylic with glazes with alkyl resin and oil, pure pigment and material of loads of different types generate the sensation of despair or loss sought. Years ago someone told me: "We are a herd and we must go where the group dictates" We have created iron and steel jungles where we live, constructions that prevent us from seeing the sky or underground excavations that we move. We have routines that just leave us time for others or for us. We are worried about what they tell us that we have to worry and we suffer for what they tell us that we have to suffer, consciously or unconsciously. It is urban society. City scenes are an analysis of the individual in their environment, cities have been dehumanized, individuals are alone among crowds, media aggressively impact society, Madrid, Mexico, New York, Paris, each individual seeks his site. The work aims not to leave the observer indifferent, something does not fit, the avid observer must get into the work and the city to which he feels close and analyze what happens. Engaging in the coldness of the city by day or the mystery of the city at night.
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