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Vladimir Velickovic, Descente Fig XXIII

Vladimir Velickovic Descente Fig XXIII, 1989

View in a room Painting 81.5 x 59.1 inch Unique artwork

$86,647

Delivery : One to two weeks

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Vladimir Velickovic, Descente Fig XXIII
Description
  • Offered by the gallery

    Galleri GKM
    Malmo - Sweden

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • Medium

    Painting : oil

  • Themes

    Nude

  • Support

    Painting on canvas on stretcher

  • Type

    Unique work

  • Dimensions cm | inch

    81.5 x 59.1 inch

  • Framing

    Black wood floater frame

  • Artwork dimensions including frame

    84.6 x 62.2 inch

  • Collector’s Guide

  • About the artwork

    Artwork size: 207 x 150 cm.
    Frame size: 215 x 158 cm.
    Free shipment worldwide.
    Signed, titled and dated on the back.
    Acquired directly from the artist.

    Artwork sold in perfect condition

Delivery

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The artwork is available for pickup from the gallery in ( Malmö, Sweden) or can be delivered to the address of your choice within 1 to 2 weeks after validation of your order. The work is insured during transport, so it's risk-free.


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Vladimir Velickovic

Born in: 1935 Serbia

Vladimir Velickovic

Biography

In 1960, Vladimir Veli?kovi? graduated from the Belgrade School of Architecture . It is intended actually to painting and held his first solo exhibition in 1963. After the price of the Paris Biennale in 1965 , he moved there the following year and still lives there today. He is with Dado and Ljuba Popovi? , artists of the same generation , one of the main three Yugoslav painters coming in France.

It will have represented Yugoslavia at the Venice Biennale 1972; and from 1983 to 2000 it will be foreman at the École nationale supérieure des Beaux-Arts in Paris and will be an important seat . Witness, in his childhood, of the atrocities committed by the Nazis in Yugoslavia, Vladimir Velickovic expresses through painting , pain and violence of this memory.

In the early 1960s , it determines the themes that appear permanently in his work. He paints men or animals (usually rats or dogs) whose bodies are confronted with dramatic and terrifying situations.

In 1972 , he produced a series of paintings and drawings inspired by the photographs of Eadweard Muybridge (series of "Descent" [ 1989-1991 ] and "hooks" [ 1983-1991 ]) . He " seeks above all to leave a scar" in the memory of the viewer of the painting.

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Vladimir Velickovic, Descente Fig XXIII
Vladimir Velickovic, Descente Fig XXIII Vladimir Velickovic, Descente Fig XXIII