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Robert van Bolderick Le sacre du printemps, 2018

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$ 20,719 $ 23,021

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The artwork is available for pickup from the gallery in Antibes, France


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Robert van Bolderick, Le sacre du printemps
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Informations about this artwork
  • Medium

    Painting : acrylic, collage

  • Dimensions cm | inch

    74.8 x 47.2 x 1.6 inch

  • Support

    Painting on canvas without stretcher (shipped in a tube)

  • Framing

    Not framed

  • Type

    Unique work

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • Offered by the gallery

    Professional art gallery
    Antibes - France

  • About the artwork

    Artwork sold in perfect condition

    The painting is sold unstretched and rolled for easier transport.
    It’s an acrylic, oil, charcoal and collage on linen painting, varnished to preserve and provide a deeper colour tone in the artwork and protect the collage.

    It’s from a series of paintings about Distorted Memories, fragments, clues and sequences that is our memories and dreams.

    Robert creates paintings notable for their texture, and sculptural presence with layers of impasto paint. His richness of palette and his use of strong colors that he put on linen canvas, creates a compelling work of mixed media art by which the viewer feels endlessly absorbed.
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Robert van Bolderick

Sweden Born in: 1968

By using a mixed technique that combines acrylic, oil, gauche, tempera, to the praxis of collage, it gives life to the artworks with a dreamlike and vibrant scenario that imprison on the canvas tracks of the real and of metaphorical evocations. Rhythm, pattern and balance is important in the paintings. Images and text fragments sticks out, but don't give the viewer all information, just like dreams and memories its fragmented and fuzzy, just gives a glimpse of what have happened.

Using collage is influenced and refer to a typically Dadaist aesthetics, but at the same time they're purged of the Dada polemic force and iconoclastic fury. In fact, the paintings colour, cut-outs, symbols of a mysterious past, like of the present, slowly emerge on the surface in a continuum of summons and recovery, composing and compressing themselves into new formal structures capable of returning the memory of reasons and feelings, and emotionally closer to the Rauschenberg's memory to aim for a particular text and image to have an underlying meaning.

Documenting the lives and our footprint through time and what the future has to show, history repeats itself. This has happened, mixed with a dreamy, ethereal world.

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Robert van Bolderick, Le sacre du printemps
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