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Claude Viallat, 7e Prix Denis-Lalanne

Claude Viallat 7e Prix Denis-Lalanne, 2019

View in a room Print 17.7 x 12.2 x 0.4 inch 1 remaining copy

$574

+$96 Delivery fees for United States Delivery : One to two weeks
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Claude Viallat, 7e Prix Denis-Lalanne
Description
  • Offered by the gallery

    Professional art gallery
    Saint-Malo - France

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • Medium

    Print : lithography

  • Themes

  • Support

    Print on Rives Artist & BFK Rives

  • Type

    Numbered and limited to 25 copies

  • Dimensions cm | inch

    17.7 x 12.2 x 0.4 inch

  • Framing

    Not framed

  • Collector’s Guide

  • About the artwork

    Portfolio réalisé le Prix Denis-Lalanne, récompensant le meilleur article de presse écrit pendant le tournoi de Roland-Garros. Il contient une estampe originale couleur sur BFK Rives de Claude Viallat, ainsi qu’un texte inédit de Christophe Penot. Tirage limité à 25 exemplaires numérotés et signés par l’artiste et l’auteur.

Delivery

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The artwork is available for pickup from the gallery in ( Saint Malo, France) or can be delivered to the address of your choice within 1 to 2 weeks after validation of your order. The work is insured during transport, so it's risk-free.
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Claude Viallat

Born in: 1936

France

Famous artist

Claude Viallat, born in Nîmes in 1936, is a contemporary French painter. He studied at the École des Beaux-Arts in Montpellier from 1955 to 1959, and then at the Beaux-Arts in Paris in 1962-63, in Raymond Legueult's studio. In 1966, Claude Viallat adopted a process based on prints, which can be seen in the context of a radical critique of lyrical and geometric abstraction (in a technique known as All-over). A neutral form, neither organic nor geometric, is repeated on a free canvas, without a chassis, determining the composition of the work. In 1969, he co-founded the group Supports/Surfaces.

In addition to the growing success of his shows both in France (at the Pompidou Center in 1982) and abroad (Venice Biennale in 1988), he devoted himself to his work as an art school teacher: he has taught in Nice, Limoges, Marseille, Nîmes (where he has been director for many years), and in Paris, at the Beaux-Arts.

Now he is retired and he continues his artistic research. He cites multiple influences: Matisse and Picasso, but also Simon Hantai and American artists such as Jackson Pollock, Sam Francis, Jules Olitski, Morris Louis and Kenneth Noland ; they all have built a polymorphic body of work which also integrates the practice of tauromachic drawing.

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Claude Viallat, 7e Prix Denis-Lalanne
Claude Viallat, 7e Prix Denis-Lalanne Claude Viallat, 7e Prix Denis-Lalanne Claude Viallat, 7e Prix Denis-Lalanne

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