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Faith XLVII, Liberté Egalité Fraternité I

Faith XLVII Liberté Egalité Fraternité I, 2019

View in a room Print 32.7 x 23.6 inch 3 remaining copies


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Faith XLVII, Liberté Egalité Fraternité I
  • Offered by the gallery

    Print Them All
    Stevenage - United Kingdom

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • Medium

    Print : lithography

  • Themes

    Street art, Animal

  • Support

    Print on Rives Artist & BFK Rives

  • Type

    Numbered and limited to 99 copies

  • Dimensions cm | inch

    32.7 x 23.6 inch

  • Framing

    Not framed

  • Collector’s Guide

  • About the artwork

    Technique : Lithographs on stone 5 colors printed with Marinoni press lithographic and hand cut
    Signature : Signed by the artist, numbered and stamped by our publishing house.

    “The imagery of a rearing horse, sometimes bridled but with reigns flying loose, signifies a powerful animal which has been subjugated by humankind, and has finally broken free. The image of the horse carries with it the weight of nationalism and patriotism, and is associated with memorials and statues of statesmen and war “heroes”. Historically, they were the creatures men took to war, to fight and die alongside them with unrelenting loyalty. Inescapably majestic and elegant in their powerful and muscular form, horses have an inherent sense of nobility.

    Within this discrepancy between their physical power and their subservience, they become archetypal symbols for notions of human power struggles, war, nationalism and blind loyalty to leadership. By unleashing or freeing these dignified creatures through these images, we understand their own sense of agency, independent from human quests, ultimately expressing their own innate power.

    Shedding their shackles, the figures in this series conjure sentiments of resistance, revolution, and our individual, innate strength and ability to stand up to fascist rule and totalitarian power.” Faith XLVII


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Born in: 1979

South Africa

Translation in progress

Faith XLVII is an internationally-acclaimed visual artist from South Africa who is currently based in Los Angeles.

Through her work, she attempts to disarm the strategies of global realpolitik, in order to advance the expression of personal truth. In this way, her work is both an internal and spiritual release that speaks to the complexities of the human condition, its deviant histories and existential search.

Channeling the international destinations that have been imprinted on her after two decades of interacting with urban environments as one of the most renowned and prolific muralists, she continues to examine our place in the world.

Using a wide range of media intended for gallery settings, her approach is explorative and substrate appropriate, including found and rescued objects, shrine construction, painting, projection mapping, video installation, printmaking and drawings.

The seeds for Faith's works begin with a raw intimacy. Exploring the duality of human relationships, her imagery carries the profound weight of our interconnectedness. While, some people see a dilapidated building as proof that the world is purging itself of the unwanted, Faith is reclaiming these forgotten elements with a sensuality of her own and presenting them with a virtuoso's skill-set.

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Faith XLVII, Liberté Egalité Fraternité I
Faith XLVII, Liberté Egalité Fraternité I Faith XLVII, Liberté Egalité Fraternité I Faith XLVII, Liberté Egalité Fraternité I Faith XLVII, Liberté Egalité Fraternité I Faith XLVII, Liberté Egalité Fraternité I

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