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Yves Klein, Petite Vénus bleue

Yves Klein Petite Vénus bleue, 2001

Sculpture 2.4 x 0.9 x 0 inch 1 remaining copy

$9,330

+$350 Delivery fees for United States Delivery : One to two weeks

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Yves Klein, Petite Vénus bleue
Description
  • Offered by the gallery

    Mazel Galerie
    Brussels - Belgium

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • Medium

    Sculpture : bronze, gold leaf

  • Themes

    Nude

  • Support

    Sculpture sold with Plexiglas box pedestal
    Dimensions of pedestal: 4.7 x 3.3 x 2.8 inch

  • Type

    Numbered and limited to 500 copies

  • Dimensions cm | inch

    2.4 x 0.9 x 0 inch

  • Collector’s Guide

  • Select by our experts

  • About the artwork

    Petite Vénus bleue, 1956/57 - 2001 Pigment bleu sur bronze doré. Bijou conforme à l'oeuvre originale d'Yves Klein numérotée au dos et porte l'étoile monogramme d'Yves Klein à l'arrière du bijou. Emboîtage de plexiglas et feuille d'or.
    Conçue et réalisée par Yves Klein entre 1956 et 1957, l'édition à 500 exemplaires a été éditée par T.A.T Arts & Stéphane Klein en 2001. Un exemplaire similaire est reproduit au Catalogue raisonné des Éditions et sculptures de Monsieur Jean-Paul Ledeur, Éditions Guy Pieters, page 296.

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The artwork is available for pickup from the gallery in ( Brussels, Belgium) or can be delivered to the address of your choice within 1 to 2 weeks after validation of your order. The work is insured during transport, so it's risk-free.
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Yves Klein

Born in: 1928

France

Famous artist

Translation in progress

Yves Klein is best known for his trademark ultramarine pigment, which he patented as International Klein Blue in 1961. “Blue…is beyond dimensions, whereas the other colors are not,” he said. “All colors arouse specific ideas, while blue suggests at most the sea and the sky; and they, after all, are in actual, visible nature what is most abstract.”

Starting in the mid-1950s, Klein made retinal blue monochromes (which would prove cornerstones of Minimalism) and the pigment would also feature prominently in his Anthropometry paintings, for which Klein smeared nude women with blue pigment and used them as human brushes on canvas, sometimes in elaborate public performances. Klein's work anticipated Conceptual art, Performance art, and environmental art, as in his selling of portions of empty space to collectors. For The Void (1958), he presented an empty gallery as an artwork, wearing a white tie and tails to show visitors around the blank walls.

French, 1928-1962, Nice, France, based in Paris, France
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Yves Klein, Petite Vénus bleue
Yves Klein, Petite Vénus bleue Yves Klein, Petite Vénus bleue Yves Klein, Petite Vénus bleue Yves Klein, Petite Vénus bleue

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