Jessica Houston

Q: ¿Cuáles son sus 3 principales obras?

Perceptible Changes Over Time , To hang in between , With an Eye of Faith (Elephant Island, Antarctica)

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Estados Unidos • 1970

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Presentación

Jessica Houston tiene una maestría en Bellas Artes de la Universidad de Columbia. Fue invitada como artista a un viaje al Ártico patrocinado por Cape Farewell. Ha creado obras de arte específicas para el MOCA de Nueva Jersey en Asbury Park, el Castello di Corigliano en Pugia, Italia, Governors Island en Nueva York y el aeropuerto de Albany en Nueva York. La lista de sus exposiciones y proyectos incluye Odd Places (NY, NY), International Polar Year Conference (Oslo, Noruega), The Painting Center (NY, NY), Printed Matter (NY, NY), Museo de Arte Contemporáneo (Detroit, MI), Arts House (Melbourne, Australia) y Chiesa di San Lorenzo (Florencia, Italia). Fue Artista Residente en la Fundación Albers en Bethany, CT; en la NES en Skagaströnd, Islandia; en el CAMAC Centre of Art, Science Technology en Francia; y con Rosenclaire en Italia. Fue nominada para la beca Rema Hort Mann. Actualmente enseña en el Museo Metropolitano de Arte y ha dado conferencias en la Universidad de Columbia, la Universidad de Concordia, la Universidad OCAD y el Instituto de las Artes en Florencia, Italia. Su trabajo cuenta con el apoyo del Consejo de las Artes de Canadá y sus obras se encuentran en las colecciones del Musée National des Beaux-Arts du Québec, la Colección Prêt d'Oeuvres d'Art, la Bibliothèque et Archives nationales du Québec (BAnQ), Montreal (QC), el Banco de Montreal, Toronto y el Consulado General de Mónaco, Montreal.

Todas las Jessica Houston

But then, the backside of heroism is often rather sad; women and servants know that …But the achievement is smaller than men think. What is large is the sky, the earth, the sea, the soul.

Jessica Houston

Pintura - 22.9 x 30.5 x 5.1 cm Pintura - 9 x 12 x 2 inch

1.800 €

The necessity of refusal

Jessica Houston

Pintura - 12.7 x 17.8 x 5.1 cm Pintura - 5 x 7 x 2 inch

800 €

The long haul

Jessica Houston

Fotografía - 35.6 x 50.8 x 2.5 cm Fotografía - 14 x 20 x 1 inch

1.900 €

Mean Weather

Jessica Houston

Fotografía - 55.9 x 83.8 cm Fotografía - 22 x 33 inch

3.000 €

Crossing The Line

Jessica Houston

Fotografía - 55.9 x 83.8 cm Fotografía - 22 x 33 inch

3.000 €

The Greening

Jessica Houston

Fotografía - 55.9 x 83.8 cm Fotografía - 22 x 33 inch

3.000 €

Living Memory

Jessica Houston

Fotografía - 55.9 x 83.8 cm Fotografía - 22 x 33 inch

3.000 €

The Left Hand Points Toward Home

Jessica Houston

Fotografía - 55.9 x 83.8 cm Fotografía - 22 x 33 inch

3.000 €

Capacity to Self-Organize (Thuli site, Arctic)

Jessica Houston

Fotografía - 55.9 x 83.8 cm Fotografía - 22 x 33 inch

3.000 €

Enduring Claims (Antarctica)

Jessica Houston

Fotografía - 55.9 x 83.8 cm Fotografía - 22 x 33 inch

3.000 €

The Spaces We Breathe

Jessica Houston

Edición - 53.5 x 76 x 0.4 cm Edición - 21.1 x 29.9 x 0.2 inch

3.000 €

White Horizon

Jessica Houston

Edición - 53.5 x 76 x 0.4 cm Edición - 21.1 x 29.9 x 0.2 inch

3.000 €

A life attuned to larger rhythms

Jessica Houston

Fotografía - 53.3 x 83.8 x 2.5 cm Fotografía - 21 x 33 x 1 inch

2.700 €

The forward march loses ground

Jessica Houston

Fotografía - 53.3 x 83.8 x 2.5 cm Fotografía - 21 x 33 x 1 inch

2.700 €

Set In Motion

Jessica Houston

Edición - 53.5 x 76 x 0.4 cm Edición - 21.1 x 29.9 x 0.2 inch

Vendida

On the twenty-second of December, 1909, we reached the South Pole… Nothing of any kind marked the dreary whiteness. We discussed leaving some kind of mark or monument, a snow cairn, a tent pole and flag; but there seemed no particular reason to do so.

Jessica Houston

Pintura - 22.9 x 30.5 x 5.1 cm Pintura - 9 x 12 x 2 inch

Vendida

Until It Gives Way

Jessica Houston

Pintura - 51 x 51 x 2 cm Pintura - 20.1 x 20.1 x 0.8 inch

Vendida

Born of sight and memory

Jessica Houston

Pintura - 22.9 x 22.9 x 7.6 cm Pintura - 9 x 9 x 3 inch

Vendida

Temperance

Jessica Houston

Pintura - 12.7 x 17.8 x 5.1 cm Pintura - 5 x 7 x 2 inch

Vendida

All that week the blizzard wind pursued us like a pack of mad dogs... I wished we had not gone to the Pole. I think I wish it even now.

Jessica Houston

Pintura - 22.9 x 30.5 x 5.1 cm Pintura - 9 x 12 x 2 inch

Vendida

We were by then all a little crazy with exhaustion and the great altitude twelve thousand feet—and the cold and the wind blowing luminous circles and crosses surrounding the suns, for often there were three or four suns in the sky, up there…

Jessica Houston

Pintura - 22.9 x 30.5 x 5.1 cm Pintura - 9 x 12 x 2 inch

Vendida

We were in for one severe shock - Teresa was pregnant…on February 14th, she went into labor. ‘I shall name her Rosa—Rosa del Sur,’ Rose of the South

Jessica Houston

Pintura - 22.9 x 30.5 x 5.1 cm Pintura - 9 x 12 x 2 inch

Vendida

Step by step we went…We were fifteen days on the glacier…at every day’s advance more great, nameless peaks came into view…We gave names to these peaks, not very seriously, since we did not expect our discoveries to come to the attention of geographers.

Jessica Houston

Pintura - 22.9 x 30.5 x 5.1 cm Pintura - 9 x 12 x 2 inch

Vendida

The Yelcho anchored and we went ashore in a ship’s boat.

Jessica Houston

Pintura - 22.9 x 30.5 x 5.1 cm Pintura - 9 x 12 x 2 inch

Vendida

2 2/2 1 2

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Perceptible Changes Over Time, To hang in between, With an Eye of Faith (Elephant Island, Antarctica)

¿Cuál es el movimiento artístico de Jessica Houston?

Estos son los movimientos artísticos: Edición con colores sólidos

¿Cuándo nació Jessica Houston?

El año de nacimiento del artista es: 1970

Categorías

Subcategorias

Presentación

But then, the backside of heroism is often rather sad; women and servants know that …But the achievement is smaller than men think. What is large is the sky, the earth, the sea, the soul.

The necessity of refusal

The long haul

Mean Weather

Crossing The Line

The Greening

Living Memory

The Left Hand Points Toward Home

Capacity to Self-Organize (Thuli site, Arctic)

Enduring Claims (Antarctica)

The Spaces We Breathe

White Horizon

A life attuned to larger rhythms

The forward march loses ground

Set In Motion

On the twenty-second of December, 1909, we reached the South Pole… Nothing of any kind marked the dreary whiteness. We discussed leaving some kind of mark or monument, a snow cairn, a tent pole and flag; but there seemed no particular reason to do so.

Until It Gives Way

Born of sight and memory

Temperance

All that week the blizzard wind pursued us like a pack of mad dogs... I wished we had not gone to the Pole. I think I wish it even now.

We were by then all a little crazy with exhaustion and the great altitude twelve thousand feet—and the cold and the wind blowing luminous circles and crosses surrounding the suns, for often there were three or four suns in the sky, up there…

We were in for one severe shock - Teresa was pregnant…on February 14th, she went into labor. ‘I shall name her Rosa—Rosa del Sur,’ Rose of the South

Step by step we went…We were fifteen days on the glacier…at every day’s advance more great, nameless peaks came into view…We gave names to these peaks, not very seriously, since we did not expect our discoveries to come to the attention of geographers.

The Yelcho anchored and we went ashore in a ship’s boat.

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