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by Tanya Angelova
Painting : Textiles 36.2 x 28.7 inch
Second NOT DISPLAYED BLUR TEXT
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Unique work
Hand-signed by artist
Sold with certificate of Authenticity from the gallery
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Artwork sold in perfect condition
Origin: France
This pictorial work is based on the material as its leading thread.
I chose felt stretched on a frame as a support for its ecologic footprint since it is composed of different fabric wastes but also for its consistent grey color.
I was able to create my own felts in a factory by adding raw materials such as threads and/or balls of wool to create the desired rhythms and graphics.
Then thanks to acrylic paint, I coat some areas based on the desired compositions carried by the up and down strokes.
The trace is the key notion of my research for this series.
Each one is like a drawn line, a stroke, a fragment of our memories, creating patterns, scenarios, the remains of moments we lived, places we visited, people we met, and so on.
About the seller
ART TROPE GALLERY • France
Artsper seller since 2021
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Discover more by the artist

Originally from Bulgaria, the painter Tanya Angelova studied at the Academy of Fine Arts in Sofia, which led to a residency at the Cité Internationale des Arts in Paris, her adopted city. Tanya Angelova inplements mixed media as well as stitching in her pictorial work. Her works, which can be defined as minimalist, are part of numerous international public and private collections.
The key notion of Tanya Angelova's plastic research focuses on the trace. For the painter, it represents a memory, like the remains of living moments, places frequented, persons met. Within her work, Tanya Angelova interprets this drawn line as a chromatic element or a plastic fragment. Her works accentuate the inner experience of a past world by embracing a composition wavering from abstract to figurative elements and linking matter to memories. "In creation, I am inspired by the desire to transform, confront and mix fabrics and materials. I sew the canvas to enhance my presence, a gesture of personal emotion." Tanya Angelova questions the linearity excluding the representation of recognizable forms and thus highlights that each entity in the world has its own way of occupying or observing it.
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