Série: photographie concrète numérique - IMG_1143 03.11.2013, 2013

by Roger Humbert

Photography : color edition 30 x 24 cm 11.8 x 9.4 inch

$2,567

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About the artwork

Type

Numbered and limited to 10 copies

5 copies available

Signature

Signed artwork

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Photography: color edition

Dimensions cm inch

30 x 24 cm 11.8 x 9.4 inch Height x Width x Depth

Framing

Not framed


Tags

Abstract artworks

Minimalism

Conceptual

Geometric abstraction

Colors

Ray (light)

Semi-abstract

Abstract Minimalism

Artwork sold in perfect condition

Artwork location: Germany

Roger Humbert (born in 1929) is a Swiss pioneer of concrete photography which has produced an extensive photographic oeuvre since the 1950s. Humbert worked in the darkroom until 1974 only with light sources, form elements such as stencils, punch cards etc. and the chemical process of development. The mysterious quality of the light that is drawn into the sensitive gelatine was not directed at extra-illustrative motifs, but at the form and structure of the photo itself, and helped this type of artistic photography to gain international recognition. Humbert's experimental photography is closely related to art movements such as vorticism of an Alvin Langdon Coburn of the 1920s, the Bauhaus tradition with László Moholy-Nagy and the philosophy of existence of Jean-Paul Sartre. His camera-less photograms, luminograms and clichés verres do not depict, but show a new reality created at the moment of exposure on the photographic paper.

Humbert was represented in many important exhibitions, including Nonrepresentational Photography (Ungegenständliche Fotografie), 1960 in Basel and the first exhibition entitled Concrete Photography, 1967 in Bern. Together with the photographers René Mächler, Jean Frédéric Schnyder and Rolf Schroeter, he showed minimalist light compositions that were based solely on their own internal laws. Humbert is thus one of the founders of this movement and is one of its main representatives in Switzerland.

In 2005 Humbert began to continue his knowledge of photography in the digital world. For him, this completes the circle of his more than 60 years of work from camera-less photography to concrete digital photography. The latent image was always in the center of attention.

Since 2002, Roger Humbert's oeuvre has been held at the Fotostiftung Schweiz (FSS) in Winterthur. His works are represented in numerous international museums, including the Peter C. Ruppert Collection in Würzburg and the Musée d' art et d' histoire in Geneva.
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About the seller

PHOTO EDITION BERLIN • Germany

Artsper seller since 2015

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Roger Humbert, Série: photographie concrète numérique - IMG_1143 03.11.2013
Roger Humbert

Roger Humbert

Switzerland  • 1929

Roger Humbert (born in 1929) is a Swiss pioneer of concrete photography which has produced an extensive photographic oeuvre since the 1950s. Humbert worked in the darkroom until 1974 only with light sources, form elements such as stencils, punch cards etc. and the chemical process of development. The mysterious quality of the light that is drawn into the sensitive gelatine was not directed at extra-illustrative motifs, but at the form and structure of the photo itself, and helped this type of artistic photography to gain international recognition.

Humbert's experimental photography is closely related to art movements such as vorticism of an Alvin Langdon Coburn of the 1920s, the Bauhaus tradition with László Moholy-Nagy and the philosophy of existence of Jean-Paul Sartre. His camera-less photograms, luminograms and clichés verres do not depict, but show a new reality created at the moment of exposure on the photographic paper.

Humbert was represented in many important exhibitions, including Nonrepresentational Photography (Ungegenständliche Fotografie), 1960 in Basel and the first exhibition entitled Concrete Photography, 1967 in Bern. Together with the photographers René Mächler, Jean Frédéric Schnyder and Rolf Schroeter, he showed minimalist light compositions that were based solely on their own internal laws. Humbert is thus one of the founders of this movement and is one of its main representatives in Switzerland.

In 2005, Humbert began to continue his knowledge of photography in the digital world. For him, this completes the circle of his more than 60 years of work from camera-less photography to concrete digital photography. The latent image was always in the center of attention. The key works of his new group of works are united in the exhibition.

Since 2002, Roger Humbert's oeuvre has been held at the Fotostiftung Schweiz (FSS) in Winterthur. His works are represented in numerous international museums, including the Peter C. Ruppert Collection in Würzburg and the Musée d' art et d' histoire in Geneva.

Roger Humbert lives and works in Basel.
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