COVID-19: Guaranteed delivery with new options available and our customer service is open. Read more

Robert van Bolderick, Well first of all I couldn't see her face

Robert van Bolderick Well first of all I couldn't see her face, 2018

Ask more pictures

$2,898

Make an offer

Have a question? Ask a specialist
COVID19 : Deliveries are still taking place but delays may occur. Packages are handled in accordance with health regulations. Our customer service is available and will contact you to inform you of the progress of your order.

The artwork is available for pickup from the gallery in Antibes, France


Add to my favourites
Robert van Bolderick, Well first of all I couldn't see her face
View in a room

simulator

simulator

Informations about this artwork
  • Medium

    Painting : acrylic, ink, charcoal, collage

  • Dimensions cm | inch

    31.5 x 31.5 x 1.2 inch

  • Support

    Painting on Linen

  • Framing

    Not framed

  • Type

    Unique work

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • Offered by the gallery

    Professional art gallery
    Antibes - France

  • About the artwork

    Artwork sold in perfect condition

    The painting is sold unstretched and rolled to lower price and easier transport.
    This only applies now while we live under Covid 19.
    It’s an acrylic, oil, charcoal and collage on linen painting, varnished to preserve and provide a deeper colour tone in the artwork and protect the collage.

    It’s from a series of paintings about Distorted Memories, fragments, clues and sequences that is our memories and dreams.

    Robert creates paintings notable for their texture, and sculptural presence with layers of impasto paint. His richness of palette and his use of strong colors that he put on linen canvas, creates a compelling work of mixed media art by which the viewer feels endlessly absorbed.

    Education:
    Robert van Bolderick studied Fine Arts in Stockholm, Sweden for two years at Stockholm Municipal Art School and one year at Paletten Art School.
    Studied Film and Editing at Kulturama Film School for two years and crossmedia/DTP/webdesign at NTI school for two years in Stockholm, Sweden.
    Studied Corporate Finance at DUID school in Stockholm, Sweden for one year.

    Part of a series of paintings I play with elusive notions of memories and dreams, placing remnants of personal notes, poems and photos amongst writing and recognisable images from recent and past events. This plethora of imagery takes on new meaning and symbolism when combined on one canvas. I use mixed technique to my practice to breathe life and vibrancy into collaged surfaces with acrylic, oil, ink, charcoal and tempera. These fragmented images and texts emerge hazily from the paintings, giving you flashes of meaning but not divulging too much. My paintings are eclectic and symbolic and is about finding a balance in this patterned and rhythmic combination of collage and paint. The colours in the paintings are inspired by nature and the light shifts in the sky.

    My work is an interpretation of the differences between history and memory. How we are changing the memories every time we go back to them, and how we recognize images and remember events, and how other people’s memories are different from your own. Memory refers to the way in which individuals and societies choose to remember or forget certain moments and events in their history. With the use of collage and paint I’m interested in creating a compelling work of abstract art with recognisable elements that engages the viewer, is endlessly absorbing and promotes a meaningful dialogue, putting the viewer in an atmosphere of dreaming and remembering. Where the images be decorative, but also give an interest to move closer to see more details. I want the viewers to recognize personal memories in my paintings.
    Read more
Delivery
Artsper's galleries deliver artworks worldwide and using specialised carriers. The artwork is available for pickup from the gallery in Antibes, France) or can be delivered to the address of your choice within 1 to 2 weeks after validation of your order. The work is insured during transport, so it's risk-free.
Find out more about delivery
Free return
You have 14 days to find the perfect spot for your artwork. If you change your mind, you can send it back free of charge and we'll reimburse you.
Find out more about free return
Payment
You can pay by credit and debit card, PayPal or bank transfer only in euros. We take fraud very seriously and respect your confidential information, which is why all payments are subject to 3D Secure validation.
Find out more about payment
Guarantee
Artsper's pledge of quality: We only work with professional galleries and guarantee the authenticity and provenance of our artworks.
Find out more about Artsper guarantee
Go further

Robert van Bolderick

Sweden Born in: 1968
Translation in progress

By using a mixed technique that combines acrylic, oil, gauche, tempera, to the praxis of collage, it gives life to the artworks with a dreamlike and vibrant scenario that imprison on the canvas tracks of the real and of metaphorical evocations. Rhythm, pattern and balance is important in the paintings. Images and text fragments sticks out, but don't give the viewer all information, just like dreams and memories its fragmented and fuzzy, just gives a glimpse of what have happened.

Using collage is influenced and refer to a typically Dadaist aesthetics, but at the same time they're purged of the Dada polemic force and iconoclastic fury. In fact, the paintings colour, cut-outs, symbols of a mysterious past, like of the present, slowly emerge on the surface in a continuum of summons and recovery, composing and compressing themselves into new formal structures capable of returning the memory of reasons and feelings, and emotionally closer to the Rauschenberg's memory to aim for a particular text and image to have an underlying meaning.

Documenting the lives and our footprint through time and what the future has to show, history repeats itself. This has happened, mixed with a dreamy, ethereal world.

Read more


Robert van Bolderick, Well first of all I couldn't see her face
Robert van Bolderick, Well first of all I couldn't see her face Robert van Bolderick, Well first of all I couldn't see her face Robert van Bolderick, Well first of all I couldn't see her face Robert van Bolderick, Well first of all I couldn't see her face Robert van Bolderick, Well first of all I couldn't see her face