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Célia Eid Montagne, 2019

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Célia Eid, Montagne
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simulator

simulator

Informations about this artwork
  • Medium

    Painting : oil

  • Dimensions cm | inch

    23.6 x 27.6 x 1.6 inch

  • Support

    Painting on canvas on stretcher

  • Framing

    Not framed

  • Type

    Unique work

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • Offered by the gallery

    galerie bruno massa
    Paris - France

  • About the artwork

    Artwork sold in perfect condition

    Celia EID was born in São Paulo (Brazil) where she spends her childhood and, once an adult, graduates from the School of Communication and Art of the University of São Paulo. After university she undertakes a career as a freelance illustrator and graphic designer. During many years she works with newspapers, art magazines and several publishing houses.

    Later on she is hired by an advertising company where she learns digital animation. In 1997 she moves to Paris (France) where she pursues a personal work on digital animation. Her work is mainly abstract and often built in collaboration with contemporary music composers. It results in several short animated films that have been exhibited in France and abroad.
    However, she never stops using traditional techniques. She does many paintings on canvas and drawings, always abstract. Hers paintings are filled with strong colours and intense compositions whereas the drawings tend to be more monochrome and light.

    In 2013, she is introduced to lithography. It’s a new skill in her craft and creation. Celia produces many prints through this process. They are the perfect fusion and outcome of here previous work on painting and drawing, mixing light touch of colours and a very refine draw.

    Timeline:

    1952: Born in São Paulo (Brazil).
    1977: Graduates from the School of Communication and Art of the University of Sao Paulo.
    1978-1984: Lives in France and Germany.
    1984: Returns to her homeland and undertakes a career as an illustrator and a graphic designer illustrating for newspapers (O Estado de São Paulo), art magazines, and several publishing houses.
    1994: Price Jabuti (book) for the best covert and best graphic project of the year.
    1997: Moves to France and redirects her work towards digital art. Personal work made of images in motion connected to contemporary music. Her films are screened in several international festivals in France, Spain, Germany, USA, Finland, Brazil and Austria
    2005: Price for the best interactive internet film at the Fluxus Festival with the film “Se taire, si ça vous chante”.
    2013: Introduces herself to lithography.
    2016 : Participates at the 8th International Printmaking Biennial Douro (Portugal)
    2018: Retrospective projection of the artist at the short animated films is organised by Elektramusic at the Museum of Modern Art of Strasbourg.
    Read more

    This content has been translated by Google Translate.

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Célia Eid

Brazil Born in: 1952
Born in São Paulo, Celia Eid graduated from the School of Communication and Arts at the University of São Paulo. Between 1978 and 1984 she lived in France and Germany where she made several exhibitions. In 1984, she returned to her native country, where she pursued a career as an illustrator and graphic designer. She collaborates with the newspaper O Estado de São Paulo and with several publishing houses: Scipione, Unesp, Edusp. In 1993, she won the Jabuti Prize (book) for the best cover and the best graphic project of the year. In 1994 she published the book / BD Penare. After a two-year contract at the video post-production house, Casa Blanca, she moved on to digital arts and animation cinema. She follows two courses in the United States: one at Aurora Systems in Santa Clara, and the other at the Visual Computing Institute, in Huston. From 1997, living in France, her career changed definitively. Almost always working on short pieces of contemporary music, often performed by the ensemble Aleph, his films / animations are enjoying increasing success. Frequent Stops, 12 small animations on music by several composers, Le rire du Coq, on music by Dominique Clément, and Gymel, on music by Sébastien Béranger, were presented at several digital art and music festivals in the world. Gymel was broadcast by ElecktraMusique (FreeTV) and Souvenir From Earth (Free TV). In 2005, Celia Eid won the prize for best interactive film at the Internet film festival, Fluxus, with her animation Silent, if you like. Dislocations, created in 2010 to the music of Sébastien Béranger, is a piece for solo piano, electroacoustic music and sculpture. The pianist interacts with the video by throwing a small light ball into the sculpture, which triggers a change in the video. Dislocations has been broadcast by several video festivals and has also been presented live in Paris, São Paulo, Stockton (USA), and Strasbourg. In 2012, in collaboration with Robert Coburn, she created Interstitial Traces, piece for 2 saxophones, sound and video environment, created at the SoundImageSound IX festival in 2013 in Stockton, California. Alongside his personal projects, Eid has run cartoon workshops for young children, in partnership with institutions such as the Forum des Images or Le Cube, in partnership with the Ministry of National Education. She has created several sets for dance performances for the Compagnie Picomètre.
Read more

This content has been translated by Google Translate.



Célia Eid, Montagne
Célia Eid, Montagne Célia Eid, Montagne