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Kashink Vahiné, 2019

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$USD 122

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The artwork is available for pickup from the gallery in Paris, France


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About the seller
ÉDITIONS R.L.D.

PARIS, France

Artsper seller since 2015
205 orders finalized
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Kashink, Vahiné
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Informations about this artwork
  • Medium

    Print : digigraphy, pigment ink

  • Dimensions cm | inch

    15.7 x 11.8 inch

  • Support

    Print on Rives Artist & BFK Rives

  • Framing

    Not framed

  • Type

    Numbered and limited to 15 copies
    1 remaining copy

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • About the artwork

    Artwork sold in perfect condition

    Original print by Kashink.
    BFK Rives digital paper
    RLD printer.
    Robert et Lydie Dutrou publishers 2019.
    Number of the print is not contractual.
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Kashink

France Born in: 1981

Kashink, one of the few girls very active in the street art / graffiti movement, is an atypical person. She often wears a mustache, she paints huge protean figures with multiple eyes, or Mexican skulls, all in a very colorful graphic style, far from the traditional references of girly feminine graffiti.

Her work, which draws inspiration from both her Slavic and Hispanic origins, Pop Art and narrative illustration, is both very present in the streets and in the galleries where she often exhibits. She is more and more requested to present her works abroad (Canada, United States, Europe) and to paint the walls of European cities, in particular London, Vienna, Ibiza, Bristol, Madrid, Berlin and Paris where she lives.

Kashink claims a committed painting, on the principle that painting in the street allows to send real messages on a large scale. Among the themes that are close to her heart, we find taboo subjects in our society, such as equality of rights between men and women, homosexuality, religion, finitude ... She regularly creates frescoes for equality rights (Act Up) and acts on a voluntary basis for associations such as the Voice of the Child and Emmaüs. She wants street art to remain a militant act.

Definitely free and independent, it is rare in the field of publishing and that of galleries, but the FRAG support with its obvious and authentic relationship with the street convinced the artist.

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Kashink, Vahiné
Kashink, Vahiné Kashink, Vahiné Kashink, Vahiné