Meeting with Benoît Baume, founder of Fisheye

Interview

Meeting with Benoît Baume, founder of Fisheye - illustration 1

Artsper met Benoît Baume, the founder of Fisheye Magazine and the Fisheye Gallery. Fisheye is a magazine devoted to photography and the role of the art in our society from an economic, cultural and sociological point of view. The Fisheye gallery is dedicated to contemporary photography and, for the first time this year, it is taking part in Paris Photo. Benoît Baume shares his tips for choosing a photograph and discovering new artists.

Artsper: Do you have any tips for discovering emerging photographers?

Benoit Baume: Today much of the curation around new photographers is done first and foremost on the internet and Instagram, but we also spend a lot of time at festivals in order to discover new talent. The live presentation of a photographic work, with prints, remains indispensable. Finally, we are lucky to have many photographers from around the world contacting us directly to share their work 

Meeting with Benoît Baume, founder of Fisheye - illustration 1
Meeting with Benoît Baume, founder of Fisheye - illustration 1

Artsper: How do you choose a photo?

Benoit Baume: The first criteria should always be about following your heart. You'll be living with the photo everyday so you need to be able to love it enough not to get bored of it. Next, you obviously need to be interested in the photographer, the gallery, the role of the photograph in a series, the number of prints, the quality, the time it is from and the price. Choosing a photo might depend on a logical reasoning when considering its market value, but the irrational is important in order to really feel pleasure when you acquire it. 


Meeting with Benoît Baume, founder of Fisheye - illustration 1
Meeting with Benoît Baume, founder of Fisheye - illustration 1

Artsper: What are some key trends in photography today?

Benoit Baume: We can already notice that market prices have become more reasonable in contemporary photography. Even the most famous photographers pay careful attention to prices. Esthetically, we can see that photographers are moving away from the representation of reality. Photography is becoming a medium that is above all serving artists and their interests.

Artsper: The best places (museums, fairs etc.) for seeing photography?

Benoit Baume: At the moment, Paris Photo of course. But also: the Rencontres d'Arles, Images festival, Singulières de Sète, the Circulation festival in Paris, Visa for the image, the Maison Européenne de la Photographie (MEP). And let's not forget the specialised galleries and of course, the Fisheye Gallery in Paris and Arles.


Their favorite artworks

Print, Bulfinch and Weeping Cherry, Vik Muniz

Bulfinch and Weeping Cherry

Vik Muniz

Print - 69 x 50 cm Print - 27.2 x 19.7 inch

Sold

Photography, Sulina #6, Julien Pebrel

Sulina #6

Julien Pebrel

Photography - 80 x 80 x 1 cm Photography - 31.5 x 31.5 x 0.4 inch

$1,110

Photography, Looking for the Masters in Ricardo's Golden Shoes #39 (Tribute to Andreas Feininger), Catherine Balet

Looking for the Masters in Ricardo's Golden Shoes #39 (Tribute to Andreas Feininger)

Catherine Balet

Photography - 30 x 25 x 4 cm Photography - 11.8 x 9.8 x 1.6 inch

$999

Photography, Sur Paris #1, Alain Cornu

Sur Paris #1

Alain Cornu

Photography - 120 x 96 cm Photography - 47.2 x 37.8 inch

$3,219

Photography, Sans titre 4, Bernard Plossu

Sans titre 4

Bernard Plossu

Photography - 13 x 18 cm Photography - 5.1 x 7.1 inch

Sold

Print, 28 Millimètres, Women Are Heroes - Swimming Pool, Intercontinental Hotel, Verticale, Monrovia, Liberia, JR

28 Millimètres, Women Are Heroes - Swimming Pool, Intercontinental Hotel, Verticale, Monrovia, Liberia

JR

Print - 98 x 72 cm Print - 38.6 x 28.3 inch

Sold

Photography, Exploration rationnelle des fonds sous-marins: la carte, Philippe Ramette

Exploration rationnelle des fonds sous-marins: la carte

Philippe Ramette

Photography - 100 x 80 cm Photography - 39.4 x 31.5 inch

$11,766

Photography, Horse (Paris, Hôtel de Ville), Ivan Argote

Horse (Paris, Hôtel de Ville)

Ivan Argote

Photography - 62 x 42 cm Photography - 24.4 x 16.5 inch

$5,883

Photography, Arktikugol #12, Léo Delafontaine

Arktikugol #12

Léo Delafontaine

Photography - 60 x 80 cm Photography - 23.6 x 31.5 inch

$999

Photography, Landscape II, Wang XiaoZhou

Landscape II

Wang XiaoZhou

Photography - 30 x 40 x 1 cm Photography - 11.8 x 15.7 x 0.4 inch

Sold

Photography, La pesanteur du lieu 1, Israel Ariño

La pesanteur du lieu 1

Israel Ariño

Photography - 50 x 40 x 1 cm Photography - 19.7 x 15.7 x 0.4 inch

$1,554

Photography, Midnight at the Sunday Times works, corner Jeppe and Rissik Streets, waiting to load papers onto waiting vans. March 1950 (Minuit aux ateliers du Sunday Times à l’angle de Jeppe et Rissik Street, en attendant de charger les journaux. Mars 1950), David Goldblatt

Midnight at the Sunday Times works, corner Jeppe and Rissik Streets, waiting to load papers onto waiting vans. March 1950 (Minuit aux ateliers du Sunday Times à l’angle de Jeppe et Rissik Street, en attendant de charger les journaux. Mars 1950)

David Goldblatt

Photography - 24 x 36 cm Photography - 9.4 x 14.2 inch

$14,985

Photography, Last Beauty before the End of Humankind III.1, Magda Delgado

Last Beauty before the End of Humankind III.1

Magda Delgado

Photography - 11 x 9 x 0.2 cm Photography - 4.3 x 3.5 x 0.1 inch

Sold

Photography, Octopus#3, Jean-Baptiste Sénégas

Octopus#3

Jean-Baptiste Sénégas

Photography - 40 x 30 x 1 cm Photography - 15.7 x 11.8 x 0.4 inch

$999

Photography, Arbre #6, Pierre Faure

Arbre #6

Pierre Faure

Photography - 40 x 50 cm Photography - 15.7 x 19.7 inch

$943