Paranoïd #11
David De Beyter
Photography - 30 x 41 x 0.2 cm Photography - 11.8 x 16.1 x 0.1 inch
€350
Paranoïd #9,
2020
David De Beyter
Photography : C-print
30 x 41 x 0.2 cm 11.8 x 16.1 x 0.1 inch
€350
One of the last works available by this artist
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About the artwork
Type
Numbered and limited to 10 copies
8 copies available
Signature
Signed artwork
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
30 x 41 x 0.2 cm 11.8 x 16.1 x 0.1 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
C-print made by the artist from 16mm films, 30x41cm, signed and numbered, edition of 10.
Paranoïd is a limited edition of 12 silver prints as part of the large scale project "Build & Destroy", focusing on the Big Bangers community crashing cars in north of France. Prints are part of David De Beyter forthcoming book "Build & Destroy", edited by RVB Books and will be published in september 2020.
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Paranoïd is a limited edition of 12 silver prints as part of the large scale project "Build & Destroy", focusing on the Big Bangers community crashing cars in north of France. Prints are part of David De Beyter forthcoming book "Build & Destroy", edited by RVB Books and will be published in september 2020.
About the seller
Professional art gallery • France
Artsper seller since 2019
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Discover more by the artist
Paranoïd #5
David De Beyter
Photography - 30 x 41 x 0.2 cm Photography - 11.8 x 16.1 x 0.1 inch
€350
Paranoïd #12
David De Beyter
Photography - 30 x 41 x 0.2 cm Photography - 11.8 x 16.1 x 0.1 inch
€350
Presentation
David De Beyter is a French photographer. His approach to photography is both conceptual and documentary. He explores the boundaries between reality and fiction, through the sources and techniques he uses (archive images, 3D inlay, specific cameras and cameras), but also through a blurring of time references. His artistic work is mainly based on the concept of the practice (s) of landscape, he questions through these installations in exhibition the different statuses of the image. In his latest project, Big Bangers, he develops more anthropological concerns, and on this occasion opens his artistic work to the filmed image, but also to installation and sculpture, refining his reflection and plastic proposals around the notion of obsolescence.
David De Beyter graduated from the Photography Workshop of the Ecole Nationale Supérieure des Arts Visuels de La Cambre in Brussels in 2008, and from Le Fresnoy, Studio national des arts contemporains in Tourcoing in 2010. Her work is exhibited in group exhibitions in France and abroad (Fotomuseum of Vienna, Festival of International Photography F/Stop in Leipzig, European Photography Month in Berlin, So Film Foundation in Sofia, Aperture Foundation in New York, Musée de L'élysée de Lausanne with the Regeneration 2 project distributed internationally). From 2015 to 2017, he set up a co-production around his Big Bangers project between the Centre d'art Image/Imatge in Pau, the Centre d'art le BBB in Toulouse and the Centre Photographique d'île de France, a co-production that resulted in a personal exhibition in each of the places involved. Articles on his work have appeared in Art Press, Le Monde 2, Mouvement, Libération and Usbek&Rica. His work has recently been selected for the prestigious FOAM Talent (2017) photographic exhibition to be held in Amsterdam, Paris, Brussels, London and New York in 2017 and 2018. David De Beyter is nominated this year with his new project "The Skeptics" for the New Discovery Prize of the Rencontres d'Arles 2019.
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