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10.09.21,
2021
Jan Wold
Print : fine art print
90 x 60 cm 35.4 x 23.6 inch
$978
978 $US
Secure delivery : Hong Kong
+ $147
Shipping : Two to three weeks
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About the artwork
Type
Numbered and limited to 17 copies
2 copies available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Dimensions cm • inch
90 x 60 cm 35.4 x 23.6 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: Portugal
From the Watchtower (2020–2021)
Between March 29, 2020, and September 25, 2021, amid the stillness of the COVID-19 lockdown, I created three hundred and fifty self-portraits using flatbed scanners, substituting the scanner's LEDs with natural light. Freed from the scanner's controlled environment, the sensors were forced to 'interpret' what they weren't designed to capture, resulting in images that abstracted reality rather than rendered it photorealistically. Each portrait marks the brightest moment of the day, with the date of creation as its title.
The series is titled , a nod to Bob Dylan's song "All Along the Watchtower." Written during the eighteen months he spent recovering from a motorcycle accident in Woodstock, Dylan's song plays with circular time—both in its lyrics and its melody—echoing the cyclical nature of the days I documented.
emerged during a time of forced isolation, a moment when time seemed both suspended and heightened. The lockdown created an unusual space for reflection, where the act of creating self-portraits became a meditative process—an exploration of both personal and collective experience. Using a flatbed scanner as a tool, I engaged with light in its most raw and unpredictable form, moving away from the sterile, mechanical precision typically associated with digital reproduction. By allowing natural light to replace the controlled illumination of the scanner, the project transcends the boundaries of traditional photography, embracing the unpredictability and abstraction that arises when technology encounters the organic world. The series documents not just physical presence, but the fluctuating states of mind and mood in the face of global uncertainty, mirroring the cyclical and fragmented nature of time itself.
About the seller
Independent artist • Portugal
Vetted Seller
Discover more by the artist
Presentation
Jan Wold (b. 1979) is a Brazilian-Norwegian artist of Japanese heritage whose practice is a sustained meditation on time, impermanence, and transformation. Working across sculpture, installation, and photography, he explores how materials unfold, erode, and recombine—not simply as alchemical processes, but as reflections on the lived experience of duration. Each work functions as a temporal event, a site where matter and perception converge, revealing time's passage through condensation, sedimentation, and dissolution.
His practice resonates with Japanese aesthetics of and —the quiet awareness of transience and the beauty of imperfection—while also engaging with philosophical notions of “thingness," situating objects as temporal presences rather than static forms.
Wold's cross-disciplinary background informs this approach: he holds a BFA and MFA in Fine Art from the Oslo National Academy of the Arts (KHIO), a BFA in Communication for Graphic Design from Chelsea College of Arts, University of the Arts London, and has studied Theatre at CAL and Drawing and Painting at EAV Parque Lage in Rio de Janeiro.
His work has been exhibited internationally, including at Felleshus, Nordic Embassies (Berlin); Museum Angewandte Kunst (Frankfurt); RAM Galleri (Oslo); Pinakothek der Moderne (Munich); and Norsk Billedhoggerforening (Oslo). Wold's works are held in the collections of KODE Museum (Bergen), Pinakothek der Modern (Munich), KPMG Headquarters (London).
Printmakers
Brazilian artists
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