Untitled, 1973
Antonio Calderara

Print : Screen Print

49.5 x 49.5 x 0.2 cm 19.5 x 19.5 x 0.1 inch

$393

One of the last works available by this artist

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About the artwork

Type

Numbered and limited to 99 copies

3 copies available

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

49.5 x 49.5 x 0.2 cm 19.5 x 19.5 x 0.1 inch Height x Width x Depth

Framing

Not framed


Tags

Abstract artworks

Material

Text

Yellow

Green

Artwork sold in perfect condition

Artwork location: Italy

Untitled is an original print realized by Antonio Calderara in 1973.

Colored serigraph.

Edited by La Nuova Foglio.
Hand signed and numbered on lower left. Edition of 88/99.

This original print represents an abstract composition typical of the artist style: in a yellow background, the main characters are 10 little yellow squares.


Antonio Calderara (Abbiategrasso, 28 October 1903 - Vacciago, 28 June 1978) was an Italian painter. He was formed in the Milanese context, passing from a figurative period, influenced by the currents of the Novecento group, then by the discovery of Piero della Francesca, Giorgio Morandi, Guidi and Donghi, to an abstract one, in line with the research of great European masters, come Albers, Mondrian, Max Bill etc. In the mid-fifties, in fact, he began to distance himself from the figurative painting that had involved the first phase of his artistic life to embrace a more abstract and geometric approach, reducing the use of color and compositional elements of the work. Calderara developed a personal abstract style, linked to light as a key element of her works: "my commitment is interest in light, everything that invades, that destroys everything to be her only protagonist."
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About the seller

Wallector Srl • Italy

Artsper seller since 2019

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Imagine it at home

Antonio Calderara, Untitled
Italy  • 1903

Presentation

Antonio Calderara (Abbiategrasso, 1903 - Vacciago, 1978)


Self-taught and changeable artist, he has a figurative debut to then approach the artistic movement of the Italian twentieth century.


In 1954 the study of Mondrian's work led him first to the study of light and then to a progressive loss of the landscape reference, increasingly moving towards an aniconic expressive form that saw him participate in European research, above all of German origin. In his autobiography he traces the first non-figurative painting to 1959.


Throughout his life, almost entirely spent in isolation near Lake Orta, he wondered about the role of light and color in an attempt to answer the question: what is painting?

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