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César Malfi, Minerve, Painting on canvas
César Malfi, Minerve, Painting on canvas
César Malfi, Minerve, Painting on canvas
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César Malfi, Minerve, Painting on canvas
César Malfi, Minerve, Painting on canvas
César Malfi, Minerve, Painting on canvas
César Malfi, Minerve, Painting on canvas
César Malfi, Minerve, Painting on canvas
César Malfi, Minerve, Painting on canvas

Minerve, 2025
Urban Art Fair 2026
César Malfi

Bestsellers

Painting : aerosol paint

70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch

€2,500 2 500 €
Secure delivery : France   + €100
Shipping : One to two weeks
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About the artwork

Type

Unique artwork

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Medium

Painting: aerosol paint

Dimensions cm • inch

70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch Height x Width x Depth

Support

Painting on canvas on stretcher

Framing

Black floater frame

Artwork dimensions including frame

75 x 55 x 3 cm 29.5 x 21.7 x 1.2 inch

Tags

Street art

Portrait

Graphic

Goddess

Mythology

Statue

Grey

Artwork sold in perfect condition, framed, ready to hang

Artwork location: France

This artwork presents a captivating fusion of classicism and modern abstraction. At its center, a sculptural bust of Minerva, goddess of ancient Rome, stands out with its detailed features and serene expression. The soft gray face contrasts boldly with the background, accentuating its timeless quality. Dark blue geometric shapes are interspersed, creating a dynamic fragmentation effect that evokes the tension between the ancient and the contemporary. The work skillfully plays with light and shadow, emphasizing the depth and volume of the face. This daring juxtaposition of tradition and modernity lends the work a unique aesthetic, prompting the viewer to reflect on the passage of time and the layers of cultural identity. A fascinating piece for anyone who appreciates the intersection of history and artistic innovation.

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About the seller

Galerie Laurent Rigail • France

Artsper seller since 2013

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Collector’s Guide

César Malfi, Minerve

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César Malfi
France  • 1994
Bestsellers

Presentation

Noted for his monumental frescoes that blend classical and naive styles, César Malfi occupies an undisputed place on the Côte d'Azur art scene. A rising star of street art, hailing from the world of graffiti, the self-taught artist offers a unique interpretation of ancient art, combining the past and modernity, for creations with a timeless appeal.

“To remember antiquity is to recall the virtuosity of our elders, their invention of the canons of beauty through their technical prowess.”

César set out to spread this classical cultural heritage and share it. Following a graffiti accident, he was struck by another shock, this time an aesthetic one, upon discovering Michelangelo's David, which he had admired in Florence as a child. Fascinated by the plastic beauty of the body, the harmony of proportions, and the virtuosity of sculpted work, César then set out to learn to draw, but also to observe, so that one day he could create in his turn.

For César, the beauty of classical art "shows what humanity is capable of," creating rather than destroying. Using the tool of street art, the spray can, he invites gods and heroes into the heart of the city. Masterpieces of yesterday, preserved in museums, escape into the streets under his spray, offering themselves to all to see. With a humanist spirit, the young artist seeks to offer Beauty to his contemporaries.

Through this spatio-temporal transfer, César Malfi reconciles scholarly art and popular art in a desire to question our relationship to culture and the place of art in the city.



 

If Dali and Magritte embody tutelary figures for César, it is nevertheless in Fernand Léger and his naive figures that he rediscovers the candor of his childhood. In a syncretic impulse, he then decides to affix, unite, merge the two classical and modern aesthetics to break the codes as much as to complete the forms. The sculpted face fragments, doubles, interrupts itself to extend into a naive and spontaneous outline.

Inspired by a close family relationship, he also borrows subliminally from the School of Nice: Martial Raysse for his diversion of the classics and the confrontation of saturated colors, Bernar Venet for the balance and elegance in his gigantism and finally Ben for the freedom of his artistic gesture, his interactivity with the public and his vision of a total art.

If azure blue is primarily used in his works, it is as much for its reference to the Mediterranean context as for its plastic qualities of calm, serenity and confidence.

By dividing his composition into geometric shapes, César seeks to better structure it. Like patches that stick to the surface of the wall, each polygon isolates and enhances a detail of the work in a different block of color. The work thus acquires greater readability but also its singularity. To the shades of gray of these marbled models, César adds a palette of complementary colors in a constant search for balance.

Keen to give meaning to their presence, César questions the placement of his works: "What does the place tell me? What does it tell others? How am I going to make it speak through the work?" Thus, Ernest Pignon-Ernest becomes his supreme reference, which has allowed him to rethink his work in the city by making a "classical gesture in the public space." In his carefully considered, contextual and memorial work, César "discovers the virtuosity of the technique and the poetry he puts into his works." Two essential conditions for the creation of a work according to César Malfi's personal philosophy.

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