Untitled, 2024
Pavel Rtue

Painting : mixed media

100 x 81 x 3 cm 39.4 x 31.9 x 1.2 inch

$4,095

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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

100 x 81 x 3 cm 39.4 x 31.9 x 1.2 inch Height x Width x Depth

Framing

Not framed


Tags

Abstract artworks

Abstract art

Dark blue

Artwork sold in perfect condition

Artwork location: France

The physical phenomenon of interference refers to the overlapping of waves to amplify or attenuate their intensity.

The exhibition brings together the works of two artists who create their works by successively superimposing layers of paint and textures.

Their approach is based on the intuitive exploration of interactions between different elements, where each new layer enters into dialogue with the previous one, partially hiding it or, on the contrary, revealing it.

This is manifested by the empirical combination and arrangement of colors, shapes and textures, resulting in a unique composition.

The end result is always unpredictable, as artists respond to changes that occur during the process.

The works represent a search for harmony between different layers and elements, resulting in a complex visual structure.

Sometimes the result remains unexpected even for the artists themselves: the meaning may not reveal itself immediately and may require time or a new experience to be fully grasped.

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About the seller

Professional art gallery • France

Artsper seller since 2023

Vetted Seller


Imagine it at home

Pavel Rtue, Untitled
Ukraine  • 1989

Presentation

Today I realize that my work is built from accidentally found images, spots of color and lines, which later become an impulse to create new meanings in my artistic practice. I associate my interest in environmental objects with childhood experiences, when many random finds, which did not always have a comprehensible meaning for a child's mind, were supplemented with legends and magical properties. I lived most of my life by the sea and often found curious objects washed up by the waves. It could be a fragment of a car mechanism, a strange light bulb, pieces of granite tiles - in my hands, these debris took on a new life.

It is natural for me to be in constant research. Each work is a kind of poetic image of a pocket full of artifacts. Found things and elements still acquire a sacred meaning for me. Some objects exist naturally in the work, while others become obsolete from the beginning of their use.

The main medium of my artistic practice is painting. I create works characterized by bright colors and a bold combination of abstraction and figurative art. One of the key features is a non-obvious, difficult to interpret image, consisting of different elements. In a way, this technique resembles collage, which, however, is quite close to me. Consciously moving away from the knowledge acquired in academic drawing, I create a "wrong" composition, thus trying to exclude my own ego from the process, allowing my work to develop spontaneously and independently.

My artistic exploration focuses on combining storytelling with found objects.

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