Beneath the Palms - The Symphony
Tom Everhart
Print - 40.6 x 52.1 x 1.3 cm Print - 16 x 20.5 x 0.5 inch
Sold
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Beneath the Palms - The Symphony,
2023
Tom Everhart
Print : Screen Print, giclée
40.6 x 52.1 x 1.3 cm 16 x 20.5 x 0.5 inch
€892
One of the last works available by this artist
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About the artwork
Type
Numbered and limited to 195 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Dimensions cm • inch
40.6 x 52.1 x 1.3 cm 16 x 20.5 x 0.5 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: Canada
Beneath the Palms.
For over 23 years, French Polynesia has been our second home/studio. It was purely by design, as we decided this within the first hour of the first day we arrived in 2000. It immediately felt like a new and unique universe that had many of the same features as the other, but completely different. For example, the same Pacific Ocean, but crystal clear for miles and miles, appearing fresh, like you could drink it. The same big blue open skies with white flowing clouds. Although, these clouds form many more vertical shapes than the usual horizontal forms due to their proximate location to the equator. More astonishing, no pollution. Of course, there are fish, but in Tahiti, there are individual fish that wait for us just off of our porch for a water walk together. Even my own eating habits, of no buttery, sugary foods (considerate of my cancer history), are completely unfamiliar as every morning I consume many irresistible freshly made French Polynesian croissants.
Charles Schulz had said to me many times, “the artist succeeds if he or she can present something familiar from an unfamiliar angle.” So, when in this other universe of French Polynesia, I have always felt like I was participating in some amazing art form.
In these 23 years, every trip to Tahiti has always felt as if somewhere in the eight hours, across the ocean in the middle of the dark night, we had gone through some kind of hole in the sky into another universe, high above the clouds, lit by the moonlight. Humorously, due to our Tahitian croissant overindulgence, I have fancifully referred to this event as the “flying croissant.”
Although these delicious croissants became a very suitable metaphor for this other universe, their overindulgence also comes with a very lethargic after effect, usually “Beneath the Palms.” In this suite, consisting of four new prints, titled, “Beneath The Palms”, the croissant is once again used as a metaphor for several of the addicting, thriving characteristics of this other “flying croissant” universe.
“The Symphony Croissant”
Very often, after the croissant morning feast, there is nothing more enchanting than a kayak ride to the nearby small islands, consisting of hundreds of palm trees, for their glorious symphonies. There is something very soothing and mesmerizing when laying in a kayak, in a foot of crystal clear water listening to the tradewinds orchestrate the sounds of the whipping, waving palm fronds.
Read more
For over 23 years, French Polynesia has been our second home/studio. It was purely by design, as we decided this within the first hour of the first day we arrived in 2000. It immediately felt like a new and unique universe that had many of the same features as the other, but completely different. For example, the same Pacific Ocean, but crystal clear for miles and miles, appearing fresh, like you could drink it. The same big blue open skies with white flowing clouds. Although, these clouds form many more vertical shapes than the usual horizontal forms due to their proximate location to the equator. More astonishing, no pollution. Of course, there are fish, but in Tahiti, there are individual fish that wait for us just off of our porch for a water walk together. Even my own eating habits, of no buttery, sugary foods (considerate of my cancer history), are completely unfamiliar as every morning I consume many irresistible freshly made French Polynesian croissants.
Charles Schulz had said to me many times, “the artist succeeds if he or she can present something familiar from an unfamiliar angle.” So, when in this other universe of French Polynesia, I have always felt like I was participating in some amazing art form.
In these 23 years, every trip to Tahiti has always felt as if somewhere in the eight hours, across the ocean in the middle of the dark night, we had gone through some kind of hole in the sky into another universe, high above the clouds, lit by the moonlight. Humorously, due to our Tahitian croissant overindulgence, I have fancifully referred to this event as the “flying croissant.”
Although these delicious croissants became a very suitable metaphor for this other universe, their overindulgence also comes with a very lethargic after effect, usually “Beneath the Palms.” In this suite, consisting of four new prints, titled, “Beneath The Palms”, the croissant is once again used as a metaphor for several of the addicting, thriving characteristics of this other “flying croissant” universe.
“The Symphony Croissant”
Very often, after the croissant morning feast, there is nothing more enchanting than a kayak ride to the nearby small islands, consisting of hundreds of palm trees, for their glorious symphonies. There is something very soothing and mesmerizing when laying in a kayak, in a foot of crystal clear water listening to the tradewinds orchestrate the sounds of the whipping, waving palm fronds.
Imagine it at home
Discover more by the artist
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Presentation
Tom Everhart is the protege of famed "Peanuts" creator, Charles M. Schulz (1922-2000.) As the only artist in the world granted the rights to draw the "Peanuts" characters in his own work, Everhart creates vibrant, extremely collectible rainbow masterpieces featuring Snoopy, Woodstock and the gang.
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